A Critique On the World Trade Organization
Out of the many documentaries I watched The Yes Men (Dan Ollman, Sarah Price, Chris Smith, 2003) always stood out for me as being one of my favorites. It’s highly entertaining as well as informative about culture jamming exploits of two men pulling pranks on organizations such as the World Trade Organization to reveal their “true identity”. The Yes Men is a 2003 documentary film that first premiered at the 28th Toronto International Film Festival.
From there it got critical praise and gained popularity, being part of a special screening in 2004 at the Sundance Film Festival and circulating widely throughout the US. It is directed by Dan Ollman, Sarah Price, and Chris Smith and features appearances appropriately by Michael Moore, as the context of this film is of very similar nature to his films. It is very much the confrontational cinema verite that Michael Moore employs to tackle social issues, although Andy Bichlbaum and Mike Bonanno are not the directors of the film but “The Yes Men”, or pranksters who pretend to be spokespersons from prominent organizations to raise awareness about a particular company and their wrong doings.
The film primarily targets the World Trade Organization , it is the overall meaning of this documentary, to expose the fallacies of this organization. Andy Bichlbaum and Mike Bonanno pretend to be spokesmen for this company and go off to conventions subversively satirizing the company, or what they call “identity correction”, revealing the true identity of the WTO. The WTO is an international organization that regulates trade throughout countries and is the premier institution for policing global free trade. It has been criticized lately for job losses, destruction of new industries, loss of policy options, primarily for developing countries ( http://www.wdm.org.uk/wto). As these countries become weaker and powerful countries become richer from them through WTO’s policies on trading. The.
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