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Jaques Louis David’s Napoleon vs. Kehinde Wiley’s Napoleon

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Art Appreciation

Claes Oldenburg’s clothes pin Vs. Marcel Duchamp’s Fountain
The Artist Claes Oldenburg (born January 28, 1929) is an American sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. Oldenburg was the creator of the Clothes Pin Sculpture back in the pop art era of 1976. The Clothespin is a weathering steel sculpture; it is currently located at Centre Square, 1500 Market Street, Philadelphia. The piece of art stands approximately 54 feet tall and weighs about 10 tons.

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This enormous sculpture is a big attraction for Philadelphia’s locals as well as the visitors for it interacted with the surroundings. The freestanding statue was also considered a great piece of public art work.

The French artist Marcel Duchamp was the creator of the “Fountain”, a porcelain urinal that was entered into the art world as a major art piece in the conceptual era of 1917. The urinal, which was turned in a 90 degree angle, was white with black writing on one side which read “R.

Mutt-1917”. The Fountain was approximately 15in. x 19 ¼ in. x 24 5/8 in, As Duchamp shocked the art world with this Dadaism/ conceptual artwork the question arise, what is it? The piece inspired heated argument among the society’s directors for which it was presented and was finally rejected an hour before the exhibition opened. Fountain is one of a group of objects that Duchamp called “readymades,” works with which he challenged traditional notions of making and exhibiting art. Anonymously defending the work in the press, Duchamp claimed he had “created a new thought for that object”.

The original Fountain disappeared shortly after its creation, but in 1938 Duchamp began issuing subsequent versions of the piece, reinforcing his fundamental questioning of originality and authenticity. The picture shown on the last page is the fourth full-scale version, fabricated in 1964. The two artist described are totally unique with different backgrounds but similar ideas. The Conceptual art that’s being described is that of one who is completely thinking outside of the box. The material used was of different styles as well as shapes, the Clothespin was that of stainless steel and painted brown as the Fountain was of a white porcelain with black writing on it. The art era of both artists was just a magnificent time to be an artist for there was nothing to stop them from speaking their mind through art. As an example, the association Mr. Duchamp was a part of tried to stop his display of the urinal but was unsuccessful. As the Clothespin created such a stir with loads of questions, Mr. Oldenburg a pop artist wanted the public to see what he loved. As he stated he would lay around the studio just pinning things together. Oldenburg wanted the sculpture to show love, which the clothespin was commissioned into Philadelphia. The public was totally divided over the clothespin for it was one time considered an eye sore. The funniest comment I’ve heard about the clothespin, was that it was airing the city halls dirty laundry. Centre square is where the clothespin is located and art is always wanted.

There are slight unknown subtleties such as the spring being shaped into a 76, which was the year it was created. The pop are and conceptual art really makes you think outside the box so you can get the overall idea/view of the piece. Marcel Duchamp’s Fountain, honestly, I was thrown off by the fact that a urinal could even be entered into the art world as a piece of art. But as I read on about the conceptual artist and the struggle which he had to endure to even have this piece “The Fountain” to be displayed in the museum was outstanding. Even though the mass majority was against his work, he was persistent in making sure it was displayed. Dada, was to attack the art establishment. He basically was testing the art world with his urinal. He wanted to change the traditional way that people viewed art, and I think he succeeded. Duchamp did not have a specific audience in mind for his work for he was just being random, but for a women to view this as art would be difficult and with a lot of criticism and negative comments. The majority of females consider art to be that of a painting with multiple colors, outlines and brushstrokes but some would turn their nose up to this conceptual art. This made it simple to become a controversial piece to negative as well as positive feedback. In conclusion, writing this paper about these two very different gentlemen with similar ideas was definitely educational and empowering.

It thought me that no matter what you are you should be proud and express it however you feel regardless of who or what likes it. Art is an appreciation that I have never actually desired, but with the pieces and all of the stories its taking me off the narrow minded street that I was recently on. As I learned that Oldenburg linked his design for the Clothespin to Constantin Brancusi’s well-known sculpture The Kiss in the Philadelphia Museum of Art. I agree that the Clothespin’s shape resembles two lovers entwining. I honestly didn’t even notice until I looked closer to the sculpture. Mr. Duchamp’s tenacity and drive for pushing his readymades to the front of the line and getting them out on the display showed a lot of courage. Laughing as something that’s supposed to be a urinal is now a piece of art and is making millions of dollars. This prompted me to get a better understanding of Mr. Duchamp’s character as I stumbled over one of his quotes “I am interested in ideas, not merely in visual products.” Duchamp. Well said, I am very hooked to learning more about art and the entire story behind it.

Cite this Jaques Louis David’s Napoleon vs. Kehinde Wiley’s Napoleon

Jaques Louis David’s Napoleon vs. Kehinde Wiley’s Napoleon. (2016, May 29). Retrieved from https://graduateway.com/jaques-louis-davids-napoleon-vs-kehinde-wileys-napoleon/

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