Mary Oliver Essay
& # 8217 ; s & # 8220 ; The Journey & # 8221 ; Analysis Essay, Research Paper
? The Journey? We All Encounter
By Mary Oliver
Life is An on-going Journey that all people must undergo. Mary Oliver causes the reader to to the full see the womb-to-tomb battle of happening her/himself. Ultimately the common end in this verse form, and in our lives, is to demo one? s demand to happen his/herself through the countless obstructions in our manner.
The thought that this verse form is ongoing and missing stanza interruptions can implicitly exemplify the impression that life itself is ongoing without? interruptions? . The position that through good and bad ( obstructions ) , we all must travel on is represented in lines 10-12,
? Repair my life! ?
each voice cried.
But you didn? t halt.
Oliver is explicating to the reader that although we will detect many adversities in life, we must travel on and go on our personal journey as seen in line 12, ? But you didn? t halt? .
The deficiency of stanza interruptions besides causes the reader to travel more rapidly through the verse form. He/she is? pulled? through the poesy because many of the sentences are short and contain merely three to four words. Another cause of? drawing? through the work is that many sentences are cut off and continued on the following line. Oliver is making this to acquire an intense feeling across to the reader, the feeling of urgency and the unequivocal demand to make that concluding end of life? s journey. The thought of urgency can be seen in lines 1-4:
One twenty-four hours you eventually knew
What you had to make, and began,
though the voices around you
The feeling antecedently mentioned of being? rushed? through the verse form can be compared to the adeptness of life. Our lives travel by faster than we expect. People Don? t normally recognize merely what their end of life? s journey is, until they eventually reach the terminal. Oliver is rapidly drawing the reader toward the terminal of the verse form because that is where we find the ground or end for this? journey? .
Throughout the verse form lines are substituting from long to short to stand for some of the ups and down we as human existences must digest while on life? s journey to happen oneself. The? ups? , or long lines, represent the minutes when we are good on our manner to success and accomplishment in life. An illustration of these? ups? is line 13, ? You knew what you had to make? . This is one of the longest lines in the verse form and is a positive statement that illustrates the? accomplishment? of happening out what has to be done to derive the ultimate end. Another long line in the verse form is line 24, ? as you left their voices behind? . This line is another 1 of the longest and states the? success? of go forthing other people behind in order to acquire closer to your life? s end. The feelings of unhappiness or defeat are seen in the shorter lines of the verse form. An illustration of the? downs? in life is seen in lines 4-5, ? kept shouting/their bad advice- ? . These lines have merely a twosome words in each and province the negative side of life? s journey. The interchanging long and short lines can be seen throughout the full verse form. An obvious illustration of this verse form? s? form? is in lines 17-19,
though their melancholy
It was already tardily.
Line 17 is long and proceeded by a shorter line. The short line 18, is so followed by the longer line 19. By demoing the ocular? ups and downs? of? the Journey? , Oliver is showing that she recognizes that the journey is strenuous and hard.
The adversities that come with life? s journey are besides illustrated with Oliver? s word picks. Throughout? The Journey? , the word? though? is usage
d four times. It is ever the first word in a line and followed by a adversity one must digest to make the concluding finish. An illustration of this is in lines 3-4, ? though the voices around/ you kept shouting? . Another illustration of the usage of? though? is in lines 14-15, ? though the air current pried/ with its stiff fingers? . The word? though? is shortened for although. It insinuates that there is something positive after the adversities. Common to world, ? though? things may travel incorrect, we must maintain traveling on with our lives.
Repetition plays a major function in this verse form. Oliver repeats the word? make? several times in order to? remind? the figure in the verse form precisely why they are at that place. The first illustration of the word? make? is in line two, ? what you had to make? . Another illustration is in line 13, ? you knew what you had to make? . Two illustrations are lines 33-34, ? determined to do/ the lone thing you could make? . This is put in the beginning to do the reader signifier an thought and so repeated invariably till the terminal to stress that thought of? making? something to make the end of happening oneself. I found the most important case of repeat in lines 33-36,
determined to make
the lone thing you could make
determined to salvage
the lone life you could salvage.
The chief repeat is with the words? determined? , ? make? , and? salvage? . These words stand out more than any other. These same lines are accentuated by the rime. Both the rime and repeat are used to emphasize the importance of these words. When put together, these last four lines of the verse form are the most significant. They tie the full verse form together and state us what our end is for? The Journey? . Oliver references that the lone individual person can salvage is him/herself.
This verse form is about holding to get the better of obstructions. These obstructions are clearly seen in in lines 6-9,
though the whole house
began to tremble,
and you felt the old jerk
at your mortise joints.
Peoples are invariably being selfish and desiring to be saved, yet non caring that the talker is trying to salvage him/herself. Because? old jerk? is mentioned, it? s implied that the people environing the storyteller frequently ask him/her for aid. The obstructions throughout this verse form are all the people desiring to be saved by the talker. The? outside people? are the beginning of the jobs that hold back the storyteller from finishing his/her journey. Another illustration of people being obstructions is in lines 14-16,
though the air current pried
with it? s stiff fingers
at the really foundations- .
These lines tell us that the individual on this pursuit to happen his/herself, is up against something ( the people around him/her ) , every bit strong as a air current that could blow a house off. The air current uprooting or nosiness at the house is besides related to the household being pried at and ruined. The household is the changeless obstruction throughout the verse form. They cause the talker to be held back in finishing his journey.
Critic Lisa M. Steinman states, ? As with romantic poesy by and large, Oliver? s? universe? is centered in the ego, or in the ego? s pursuits? ( 428 ) . A? ego pursuit? is precisely what Oliver has created in this work. I feel that anyone reading? The Journey? can associate to the thought of fighting to happen him/herself while holding others overcasting the way. Peoples, or obstructions, invariably come in the manner of people seeking to happen and assist themselves, but finally a individual realizes they can? t save anyone in life other than him/herself.
Steinman, Lisa M. ? Dialogues Between History and Dream?
Michigan Quarterly Review. 36.2 ( 1987 ) : 428-438.