music 125 ch 44

Art-song arrangements of African American spirituals were an important part of which cultural movement?
Harlem Renaissance
At the turn of the 1800s, camp meetings in the United States were not segregated by cultural background.
True
Burleigh’s arrangement of Swing Low, Sweet Chariot calls upon jazz and blues traditions.
true
Fisk University in Nashville, Tennessee, was established as a college for freed slaves.
True
Harry T. Burleigh was an editor for a music publisher.
True

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Spirituals fell out of circulation after the Civil War in the United States.
false
Swing Low, Sweet Chariot became a favorite tune of which college-level performing group?
Fisk Jubilee Singers
Swing Low, Sweet Chariot reflects which of the following traditions?
native american, european american, african americans
Swing Low, Sweet Chariot was originally composed in the first decade of the twentieth century.
false
Tchaikovsky believed that African American musical traditions were the true root of American music.
False
The 1910 recording of Swing Low, Sweet Chariot by the Fisk Jubilee Singers is stored on what type of recording technology?
wax cylinder
The Fisk arrangement of Swing Low, Sweet Chariot is strophic.
true
The singing of spirituals offered the slave community a sense of solidarity.
true
The style and structure of African American spirituals were in strict imitation of European models.
False
The text of Swing Low, Sweet Chariot is based on a story from what source?
the holy bible
The texture of African American spirituals is best described as
monophonic with some elaboration
What scale is utilized in Swing Low, Sweet Chariot?
pentatonic
When was the Harlem Renaissance?
during the early part of the 20th century
Which European composer was an early supporter of African American musical styles like the spiritual?
Dvořák
Who of the following arranged spirituals for solo voice and piano?
Harry T. Burleigh
The texture of African American spirituals is best described as
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