The Inner Party are the upper class citizens and they have many luxuries and the ability to turn off their Telecasters - Nineteen Eighty-Four introduction. The protagonist, Winston Smith, is a member of the Outer Party. They have no luxuries and have to settle for bitter tasting alcohol, fake sugar, and their every move and thoughts are constantly watched over. They work for The Party and they have no freedom and are seen as being treated the worst of the three classes. The third being the the lower class Proves. The Proves are not members of the Party and therefore do not have Telecasters and are not being constantly watched over.
The Proves are free to live how they want but they still live poorly in poverty. Telecasters are everywhere at Airstrip One, they are apart of every Party member’s household, and they are on every corner of every street. They watch your every move and every single expression. They hear every word you speak and every thought you think and they do all of these things 24 hours a day. In comparison to real life, Telecasters would be seen as CATV. Here In Auckland, the transport system Including bus, ferry, rail and road, has approximately 2500 cameras spread throughout the city.
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So wherever you go, you will be filmed. But in the united Kingdom, there up to 6,000,000 cameras, which is the equivalent to one camera for every eleven people. In London alone, you are filmed over 300 times a day. The Thought Police are also another major invasion of privacy in the novel as they are also everywhere. But they look like an average citizen, so there is no way of knowing who does and who does not work for The Thought Police. They can read your facial expression and they know exactly who you are and what you are thinking. In real life you could compare this to facial recognition systems.
If you are filmed doing anything legal, the video or photo could be given as evidence. They can try match your face with anything in their database and that way, they can find out exactly who you are and many of your other personal details. The Junior Spies in the novel are the children of all the Outer Party couples. They are taught by The Party to listen out for anything chatter that is against The Party and are then told to report those people to The Thought Police, even If it is there own parents. In real life this could compare to the Nation Security Agency, also known as the NSA. In the united States of America.
In a fairly recent discovery, it was shown that the 1 OFF personal information of the citizens of America. In conclusion, the novel 1984 by George Orwell, has a strong theme of invasion of privacy that relates to real life situations in many ways. In the novel, Telecasters are constantly watching everybody, and in real life you are constantly filmed by CATV. The Thought Police are also everywhere and in real life anyone could be filming you taking illegal actions. The Junior Spies are always there to spy on you, Just like the NSA. So in both the novel and real life you have a real lack of privacy as someone is likely to be watching you.
Film Report 1
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The motion picture Nineteen-Eighty-Four is a British movie taken from the novel of the same title by George Orwell in 1949, both the film and the novel were grounded from the author’s imagination of the year (Redford, 1984). George Owell’s widow, Sonia Brownell, agreed to the film adaptation before her demise in 1980 giving only one condition, that is the adaptaion must not contain any special effects. (Perry, 1984)
The story is set in London, England. The film centers on the life of Winston, a man who lives a repulsive life under the tyrant rule of the Oceania, Winston is employed in the ministry of truth. He works as a historian who re-writes history with conformity to the ulterior motive of the political body governing the Oceania. Winston then indulges himself in an affair with his colleague Julia, wherein they spend most of their time embarking on sexual endeavours and rebellious yet liberal conversations. The couple is later apprehended by the thought police through the tip given by the pawnshop owner right below the room they rent.
The thought police brings Winston to the Ministry of Love where he is tormented and catechized by ranking Oceania member O’Brien. Winston is also given a lecture about the principles of praxis and doublethink by O’Brien Realizing that resistance is futile, Winston finally submits to the will of the party governing Oceania and returns to public life. He immediately proceeds to the Chestnut Tree Cafe, while there he once again meets Julia. The two apathetically converse, this time about their treachery over a bottle of Gin. Julia leaves the Cafe, and as she departs, Winston views a broadcast of his acknowledgement of his faults to the Oceania. The Ocaeanian army’s victory over Eurasian forces reached Winston, as the news arrives he spills out compassion for the tyranny as he foretastes his execution.
Film Report 2
Differences from the Novel
l The motion picture depicts an expression of adherence among Oceania Members.
l In the film, Newspeak; a voabulary dedicated to obliterate alternative or seperatist mentality in language, is called miniprod, which is implied to the feull term Ministry of Productions.
l The film indicates Winston visiting O’Brien in his home, with an unclear intent. Contrary to the events in the novel where he visited O’Brien with Julia with the purpose of acquiring information about being a part of the brotherhood.
l The characters in the film, regardless of membership from the governing party address one another as brother or sister, while cahracters in the novel call each other comrade.
l The branch of Oceania where Winston works is called the Records Department. In the novel it is abruptly called The Ministry of Records
l The main characters in the novel reflect the same personalities with the characters in the film.
l The manner in which Winston awaited his execution is identically interpretted in the film.
l Oceania in the film has anti-sexist campaign which aims to prevent sexual and emotional attachment in order to maintain loyalty to the party is also in the novel.
l The Winston and Julia affair implicate freedom and sexuality, both in the film and the novel.
l The film depicts Winston’s miserable state as with the novel.
l The nationalist theme which addresses on the problem of vocabulary on certain occurences are both present in the film and the novel.
Film Report 3
Orwell, George. (1949). Nineteen Eighty-Four. London: Secker and Warburg.
Crick, Bernard. (1984) “Introduction” to Nineteen Eighty-FourOxford: Clarendon Press,.