Sitcoms Analytical Exposition
Whilst sitcoms are indeed mindless, predictable highly structures and shallow, some sitcoms offer good quality entertainment that is challenging. The netter quality sitcoms challenge viewers to think about issues of social significance and offer multi dimensional characters and good quality scripts. The poor quality sitcoms fail to challenge on any level. Sitcoms such as The Mighty Boosh don’t raise important social issues like racism, religion and obesity, yet sitcoms like Scrubs discuss these issues in various episodes.
Sitcoms can be true to life even if based in a set, the show Scrubs addresses social issues like racism, obesity & death. Yet shows like The Mighty Boosh only touch on subjects but not enough to have any effect on you after the show is finished. Set based sitcoms can get claustrophobic so the show will venture outside of the main setting to give the sitcom world more depth. The Mighty Boosh Characters: Howard Moon- Howard is a self-described “jazz maverick” and claims to be an intellectual with many talents, calling himself a ‘man of action’, but in reality he is unsuccessful in his literary and romantic ventures.
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He is unpopular with many of the characters, including Mrs. Gideon who always forgets his name, Bob Fossil who often uses Howard as a puppet for his bizarre schemes and Bollo who often says his name wrong or ignores him completely Vince Noir- Vince’s main personality trait is his relaxed outlook on life, living with perpetually laidback ease, socializing easily with those around him. Vince is often the voice of reason when Howard is being pretentious, although Vince has also been known to have a particularly naive and somewhat childlike outlook on life.
It is often implied that Vince is narcissistic, putting great pride in his appearance, especially his hair, Vince usually conforms to specific subcultures which he considers vogue, such as Mod, Goth, Punk, and New Rave, adapting them to fit his appearance. Vince is commonly mistaken as being female, and one-off characters often refer to him as Howard’s wife or “lady friend”. Naboo- Naboo is a freelance shaman with the ability and knowledge of many spells; he is also a recreational drug user and a drug dealer.
He is a member of the Board of Shaman, and like many of them, is a heavy drinker, and a rider of the magic carpet. His full name is Naboo Randolf Roberdy Poberdy the Enigma. Naboo, like all shaman, will turn his back on people to teach them a lesson. Bollo- Bollo is an anthropomorphic ape who has been portrayed as inept yet immensely strong. He and Vince are very close, a stark contrast to his relationship with Howard. His catchphrase is “I’ve got a bad feeling about this… “, said in every show since “The Call of the Yeti” He also DJs at the London nightclub Fabric on Tuesdays.
The Mighty Boosh is an English comedy created by comedians Noel Fielding and Julian Barratt in the late 90’s in the upstairs room of a North London pub and then picked up by the BBC in 2001, it’s follows the adventures of Howard Moon, and Vince Noir is based in a new setting every season (season 1 – Bob Fossils zoo “Zooniverse” season 2 a flat in Dawson, and season 3 a shop below the Dawson flat “Nabootique”) yet in every episode they take an adventure outside this setting. This sitcom is an example of sitcoms that do not challenge you or make you think about any important subjects after the show has finished and follows most stereotypes.
The dominant discourse is white lower-middle to low class English workers. In one of the episodes Howard and Vince go on an adventure to the Antarctic to find the egg of Mantumbi, a blue sapphire “the size of a school boys head,” in an attempt to become rich and famous but end up coming face to face with “the black frost” Scrubs Characters John “J. D. ” Dorian (Zach Braff), is the show’s narrator and main character he is a young attending physician, who begins the series as a staff intern Elliot Reid (Sarah Chalke), their relationship becomes romantic on many occasions.
Elliot is driven by a neurotic desire to prove her abilities to her family (in which all of the males are doctors), her peers, and herself. J. D. ‘s best friend is Dr. Christopher Turk (Donald Faison), a surgical attending physician becoming the new Chief of Surgery in season eight. Turk roomed with J. D. at university at the College of William and Mary and medical school, and the two have an extremely close relationship, which is described in season 6 as “Guy Love”. Carla Espinosa (Judy Reyes), the hospital’s head nurse, who acts like a mother figure to interns, often hiding their mistakes from their attending doctor.
Dr. “Perry” Cox (John C. McGinley) was the senior attending physician at Sacred Heart and the hospital’s Residency Director before becoming the new Chief of Medicine in season eight. J. D. considers Cox his mentor despite the fact that Cox routinely criticizes and belittles him. Cox frequently suggests that this harsh treatment is intended as conditioning for the rigors of hospital life. Ken Jenkins (Dr. Bob Kelso) Sacred Heart’s Chief of Medicine until the end of the seventh season when he is forced to step down from residency when the board finds out about his age.
Kelso is cold, heartless and cruel, driven primarily by the hospital’s bottom line rather than the well-being of patients. However, it is occasionally suggested that he has a softer side, and that his cruelty is a means of coping with the years of hard decisions. “Janitor” (Neil Flynn). An incident in the pilot episode establishes an adversarial relationship between him and J. D. , which persists throughout the series. This tends to take the form of the Janitor pulling mean-spirited pranks on J. D. Scrubs is an American sitcom based in ‘Sacred Heart Hospital. The show follows the lives of the several employees mentioned above. It originally aired on October 2, 2001, on NBC but in January of 2006 ABC brought the rights to the show.
It was created by Bill Lawrence who is also the executive producer, head writer and has had cameos in some episodes. This sitcom challenges you to think about important social issues such as abortion, racism, sexuality and class. The dominant discourse is high-middle to high class Americans. In one of the episodes J. D. must look after a social worker, Alex, who slipped in the hospital and winds up stuck in an MRI machine. They flirt, but J. D. is reluctant to ask her out without knowing what she looks like. Elliot tries to gain Dr. Cox’s favour the way J. D. has. Turk is angry at Carla and she can’t figure out why. In conclusion sitcoms can be predictable and straightforward but given the right structure story line and writing, they can be good forms of entertainment that challenge viewers to think about issues in modern day society. Most sitcoms are not representatives of actual life in australia unless the sitcom is based in australia about australian life and has a good cast and crew that can refer to issues that are around today