Stories of Ourselves
First Love The poem ‘First Love’ is about experiencing young love for the very first time. Firstly, Clare uses many forms of figurative language such as metaphors, personifications and hyperboles to show the negative impacts of love throughout the poem. Phrases such as his “face turned pale a deadly pale” and “stole my heart away” show this. Love shocked him as if he was a dead ghost and as if life was taken away from him. At the beginning, he mentions, ‘I ne’er was struck before that hour’, telling us that he was hit by cupid’s arrow or suddenly struck in the face when he saw her.
The poet is very descriptive, and uses alliteration to give the sentence a soft sound of love, for example: ‘With love so sudden and so sweet’. In the first stanza, he’s describing his lonely existence before he got struck by the love of his life and also in the first stanza he shows an internal monologue, it is as if he is writing down the thoughts that his mind was telling him when he saw her. In the second stanza he starts to describe with more intensity, saying ‘Words from my eyes did start, they spoke as cords do from strings’ He was having an immediate connection, speaking to her through his eyes.
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In the third stanza the poet talks about a sudden touch of sadness. He writes, ‘Are flowers the winters choice, Is love’s bed as always snow…’ this tells us that the love of his life is giving him the cold shoulder, and that he is in his own winter of love, meaning cold and darkness. At the one of the third stanza he mentions that she took is heart, and can return it no more. Clare conveys his message through all the metaphors used, and the words that describe a certain stage of the poet’s feelings. At the beginning of the stanza, Clare starts by writing down the thought he heard while he saw her.
In the second stanza, he describes his feeling and what he felt, he explains that ‘Blood burnt round my heart’ when he saw her, giving a sense of strong passion and his heart beating rapidly. As he gets to the last stanza, Clare mentions his loneliness, and how the girl she loves stole his heart. Marrysong In the poem ? Marry Song? by Dennis Scott, the writer makes the reader feel the hurt and anger of the first mood and the happiness of the second by showing the change of emotion, we can see this in lines 3 to 6. Scott is lost inside her anger, which is ‘walled’ so it seems as though she was iding her ‘hurt’, as it is ‘quarried’, suggesting it is dark and dangerous. Dennis Scott shows how her emotions change often when he writes ‘on turning’. Her second emotion seems nasty as her laugh is referred to as ‘cool water’. The poet writes a further example if her changing emotions by commenting on her emotion the day before; she had ‘stones in her voice’ which could mean she is attacking him with her words or she is trying not to cry, with a clump in her throat. Lines 7 and 8 are made up of four very short sentences. The effect of this is to show his uncertainty and confusion.
The last three lines show a new phase in the relationship. Ironically, instead of journeying, he now ‘stayed home’. This is a new twist in the extended metaphor. He stayed at home in a sense that he wasn’t going to explore anymore; he was going to take her emotions as they come. The effect of ‘wondered’ as a one word sentence is a decision to think about her and not to wander around her personality. In lines 16 and 17, the rhyme of ‘find’ and ‘mind’, symbolizing how he is kindly interested in finding how to understand her ‘mind’, personality and ‘wilderness’.
The rhyme in lines 11 and 12, ‘new’ and ‘grew’, show how growing creates a new thing and you never know what it will be; her emotions seem to be compared to metamorphosis. Well go no more a-roving This short and succinct poem makes effective use of auditory features. It begins with long and slow ‘O’ sounds, “We’ll go no more a-roving,” and implies the poet’s weary and exasperated consciousness. A “moaning” effect is created by this assonance, which may be Byron’s reflection on his physical state.
In addition, sibilance is used in the second stanza, “For the sword outwears its sheath,” which also extends the delicate sound of “s” conveying Byron’s state of fragility. Also, that phrase is very smooth when enunciated Bryon uses the moon as a symbol for the passion for his wish to make love. The phrase, “So late into the night … moon be still as bright” suggests that Bryon believes that there is no difference between day and night to him. From the first stanza, we can infer that Bryon does not believe night is for sleeping, and wants to waste no time of his life and continuously indulge in affairs.
In the last sentence of the poem, this same idea is reinforced as the poet accepts that he cannot continue this lavish love life “by the light of the moon. ” The phrase “the sword outwears its sheath,” indicates that Byron is now tired and has had enough. The poem ‘So We’ll Go No More A-Roving’ boldly portrays the character of Byron, whose life was full of luxuries and women. He uses this poem to express his need to cease his activities, as at the age of twenty-nine, he was becoming severely enervated. Due to his extravagant lifestyle, Lord Byron died at age thirty-six.
Despite Byron’s insatiable passion for more love, he admits that he has been worn out and must stop “a-roving. ” Sonnet 29 Throughout the poem ‘Sonnet 29? written by Edna St Vincent Millay in the first four lines, love is compared to ‘beauties passed away’. This refers to the degradation of love, and this is further emphasized in the next line. She describes the degradation of love as it changes ‘From field to thicket’. The term field refers to what may once have been an orderly and well tended plot, to ‘thicket’ which is an overgrown, it has been slowly broken down, and turned into a mess.
Love, and its continually fading power and influence is expressed in the next four sentences, and it is compared to moonlight. Immediately after the description of the moon, it is said that ‘the ebbing tide goes out to sea’, where the ebbing tide refers to the gradually weakening marriage and romance between Millay and her lover However, despite blaming her lovers, she decides that she is strong enough to accept her loss of love, ‘This I have known always: Love is no more’ implies that she has known that love was always going to end, and she believes that love fading away is part of its nature.
Following this metaphor, Millay further describes love as ‘strewing fresh wreckage gathered in the gales’. The fresh wreckage describes love as an trash which is slowly broken down, and scattered away, and therefore Millay believes that love is pointless and worthless, while the term ‘gathering’ suggests that this love is slowly breaking down and is being collected. Once again, Millay truly feels that love is also a process which causes pain, from which it takes a long time to recover.
Millay’s discontent and anger regarding love and her relationships are expressed through the comparative measures used in her essay, where love is represented as a soft delicate part of nature, while her husbands and men who she may have had relationships with as destructive forces. The metaphors used in these comparative measures repeatedly express the pain she endures as the relationship and bonds that held her elationships together never seemed to last, thus compelling her to feel that love is a time-wasting and worthless emotion. On the grasshopper and the cricket. In ‘On the grasshopper and the cricket’, John Keats tries to describe how nature is immortal, he uses nature and visual imagery to paint a two sided picture and depict two stories of how human life intersects with nature on earth.
The first and more direct story told by Keats is how in summer, when the ”birds have fainted from the heat of the sun and take shelter under cool leaves”, the grasshopper sings from the meadows and then in winter, when the world is frosted in cold, the cricket sings from a warm stove and the human listener in half a doze imagines this to be the sound of a grasshopper, here Keats is impying how even subconsciously humans long for the luxury of summer.
The second more metaphorical story told by Keats is that how summer symbolizes youth, health and luxury and winter the exact opposite and how it recalls the luxury of summer. Throughout the poem there is a comparison of summer to winter, grasshopper to cricket and youth to recalling of youth. Keats tries to portray that nature is as a whole emblematic of all the joys lived through all the seasons of all the years. Keats uses personification, alliteration and metaphors throughout the poem trying to make the reader understand and imagine exactly what he is trying to say about nature more clearer and finer.
The flower-fed buffaloes Vachel Lindsay uses the key symbol of the buffalo to represent a time that has passed in North America through his poem The Flower-Fed Buffaloes. The idea of the extinct buffalo herds is linked to the egression of nature and the disappearance of the Native American tribes as a result of the colonisation that has occurred throughout America over the nineteenth century. These thoughts are portrayed with a number of effective language techniques to express the change that has occurred so effectively.
The first five lines set the reminiscent tone of the poem as Lindsay looks back on and conveys the enormous freedom that the buffaloes once had. The opening line and of course the title of the poem illustrate the harmony that the buffaloes have with nature by the term “flower-fed”, the alliteration of which also carries positive connotations. After establishing the link between these two ideas, the natural imagery used throughout the first five lines is associated with the buffaloes and thus the “the days of long ago. Words such as “spring” and “blooming” give the impressions of new life and tie in with the use of the word “flowers. . The description of the flowers that now “lie low”, a phrase that suggests both seclusion and a lack of energy, juxtaposed to the previous freedom and liveliness in the environment. By presenting the past in a highly positive light and then contrasting this to the modern atmosphere as it is gradually introduced throughout these five lines, the poet clearly expresses the terrible change that occurs as both the importance and beauty of nature deplete.
Despite this prospect, the poet reminds the reader that the buffalo herds are gone as the last seven lines end the poem rather depressingly. The word “but” instigates this change of mood and Lindsay goes on to stress that the buffalo have “left us. ” Not only does Vachel Lindsay effectively use symbols and language to express the effect that man has had on nature in The Flower-Fed Buffaloes, he also makes clear that this change has been for the worst.
In doing so, Lindsay reminds people of the disappearance of a number of elements of nature in the past and reminds the reader that there is an opportunity for this change to end, lest the state of the world gets even worse. Report to wordsworth The image and words that are particularity effective in the opening of the poem are ‘the flowers are mute, and the birds few. ’ In the first part of this line, Boey conveys the image of the dying of the flower’s which are ‘mute. ’ This suggests that the flowers are not moving at all or maybe even dead, which obviously means that they no longer make any noise.
This is most likely due to our careless actions. In the second part of the line, the poet conveys the image of there being fewer birds that fly above. If you connect the fact that birds are animals that roam the skies and the fact that carbon dioxide emission also rises into the sky, it comes to a conclusion that we are also the ones responsible for the death of the birds. In keeping with the tradition of romantic poets, Boey makes use classical Greek and Roman Gods as allusions to the past. The effect of these allusions is that even efore cars or factories were invented, humans already was treating nature inadequately. This shows that from the very beginning, we continue to think of nature as something that we can’t be bothered to care for. Comparisons can be made between Boey’s ‘Report to Wordsworth’ and Clarke’s ‘Lament. ’ Both poems deal with the idea of how something has an impact on Mother Nature. Both poems are also describing the negative effect on Nature as a result of human’s actions, the poet is also describing what happens to nature as people continue to treat nature poorly.