Angel Valencia F. Richard Moore Music 170 December 01, 2009 Exploring the Vibrations and Acoustics of a Historical Instrument Now that we have gone through a process of understanding the Sitar’s history, mechanics, and a bit about the string functions, we can really dig deep and find out how the instrument functions harmonically. Typically when we refer to the harmonics of the instrument we are specifically talking about the modes of vibration. The modes of vibration are what we use to identify the characteristics of an occurring vibration.
In other words, we identify notes based on what their sine waves mode is, in comparison to the fundamental frequency. Another common term used to associate with the modes of vibration is partials; however the word is typically used to describe the overtones or complex tones. Understanding partials is vital to understanding how sound works and how sound is created. Violin and cello players understand partials quite well, for the reason that their instruments are fretless and the playing of specific tones and pitches are dependent on the accuracy of the player.
Partial” specifically refers to complex tones, or anything that is not the fundamental frequency. For example, the first string on a guitar is typically E, and the opened string plucked or strummed is considered the fundamental frequency. Now if we place our finger in the middle fret Work Cited Benade, A. H. “Sitar Spectrum Properties ” April 1982: S83- Acoustical Society of Americ. 2009 < http://scitation. aip. org/getabs/servlet/GetabsServlet? prog=normal &id=JASMAN0000710000S1000S83000001&idtype=cvips&gifs=yes>. Brief History of the Sitar. ” Acoustic Musical Instruments. 11 November 2009. Blog Copyright. 2008-2009 http://www. acousticmusicalinstruments. com/brief-history-of-the-sitar/. Burridge, Robert. Kappraff, Jay. Moreshedi, Christine. SIAM Journal on Applied Mathematics. Vol. 42, No. 6. Society for Industrial and Applied. (Dec. 1982), pp. 1231-1251. Junius, Manfred M. The Sitar: The Instrument And Its Techniques. Amsterdam: Heinrichshofen, 1974. Miner, Ally. Sitar and Sarod in the 18th and 19th Centuries.
New York: Heinrichshofen, 1993. Connection. Vol. 91, No. 1. MENC: The National Association for Music Education. (Sep. 2004), pp. 25-30. Rossing, Thomas D. , Moore, Richard F. , Wheeler, Paul A. The Science of Sound. 3rd ed. San Francisco: Addison Wesley, 2002. Vyasarayani, Chandrik P. “A vibrating sitar string: Modeling the 3D dynamics of a plucked string impacting a spatial obstacle with friction. ” May 2008: 3380- Acoustical Society of Americ. 2009 .
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The Sitar: Exploring the Vibrations and Acoustics of a Historical Instrument. (2018, Mar 07). Retrieved from https://graduateway.com/the-sitar-exploring-the-vibrations-and-acoustics-of-a-historical-instrument/