Anne Sexton’s Cinderella: An Analysis

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We’ve ever read or been read faery narratives one time in our lives. and how do they ever stop? Yes. merrily of all time after. In Anne Sexton’s “Cinderella” . she shakes up the traditional fairy narrative. by adding her ain narrative. She uses irony to complete the narrative. doing the reader’s outlook of a happy stoping and a traditional faery narrative to vanish. In making so. she depicts the difference between the fairy narrative and world universe.

With Sexton’s rough words of world. she breaks the dreams of the readers seeking a traditional faery narrative. The usage of Sexton’s sarcastic tone foreshadows what is to come in the verse form. The line “That story” ( Line 5 ) . which is repeated legion times throughout the verse form. makes the readers think of the original Cinderella fairy tale. Possibly along with this. by saying “That story” throughout the verse form. she is seeking to remind us how every faery narrative is the same. It ever goes something like this: hapless misss meets prince…and POOF! They live merrily of all time after! Now. when is life of all time that easy? By adding her ain anecdote. Sexton is picturing to the readers a more realistic faery narrative.

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Sexton uses sarcasm through her irony as good. Possibly. it changes the reader’s positions on the classical faery narrative. Cinderella is described as. “Cinderella was their amah. / She kip on the coal-black fireplace each dark / and walked around looking like Al Jolson” ( Line 30-32 ) . Al Jolson who was a white adult male. who impersonated a black adult male. is compared to Cinderella. However. dressing up as a black adult male was Jolson’s pick. and being their amah dressed in dirt was non Cinderella’s.

Another illustration of dry imagination in Sexton’s verse form is existent my favourite lines in the verse form. “The eldest went into a room to seek the slipper on / but her large toe got in the manner so she merely / sliced it off and set on the slipper. / The prince rode off with her until the white dove / told him to look at the blood pouring Forth. / That is the manner with amputations. / They don’t merely mend up like a wish” ( Lines 81-86 ) . Possibly Sexton is seeking to demo the readers how life ne’er goes like a fairy narrative. We do non acquire a faery godmother to allow us our one simple wish. We must contend for everything that we want to hold in our custodies. With the usage of her irony. Sexton. depicts to the reader how far the half sister went to accomplish her happily of all time after stoping.

After reading this verse form. the reader’s outlooks may alter through Sexton’s usage of irony. “Cinderella and the prince / lived. they say. merrily of all time after. / like two dolls in a museum instance / ne’er bothered by nappies or dust. / ne’er reasoning over the timing of an egg” ( Line 100-104 ) . from these lines. Sexton is in fact altering her fairy narrative into a myth. doing Cinderella and the prince merely a portrayals hung on the wall. By her usage of irony. Sexton is picturing for the readers how the fairy narrative stoping is in fact non world. Just because Cinderella marries the prince does non necessary mean that they will populate merrily of all time. If a individual runs off and gets married. it ne’er turns out rather like a fairy narrative. Through Sexton’s verse form. the reader can have the message of the happily of all time construct. for we begin to recognize that life is merely ne’er that easy and ne’er runs a long. smooth route.

Sexton uses irony every bit good as her ain anecdotes to bode the stoping of the verse form. On top of this. she ever uses dry imagination and besides changes the reader’s position on the authoritative faery narrative stoping. Through her ain remaking of “Cinderella” . Sexton successfully proves to us that faery narratives do non be in world. Sexton is directing out the message to hold realistic dreams and non sit at place merely waiting for a prince capturing to draw up in the pumpkin passenger car.

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Anne Sexton’s Cinderella: An Analysis. (2017, Jul 23). Retrieved from

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