An analysis of Alice’s Adventures in Wonderland
The following text is a small part of a project from:
Jerry Maatta, HII, Katedralskolan, Uppsala, Sweden
It is important to bear in mind that Alice’s Adventures in Wonderland, however special it may seem and however many different interpretations one
thinks one can find, is, after all, but a story written to entertain Charles Dodgson’s favourite child-friends.
It is very obvious in the story that it was written for the three Liddell girls, of whom Alice was the closest to Dodgson.
In the introductory poem to
the tale, there are clear indications to the three, there named Prima, Secunda and Tertia — Latin for first, second and third respectively in feminized
forms. The part considering rowing on happy summer days was derived directly from reality. It is said that he used to row out on picnics with the
Liddell girls and tell them stories. On one of these excursions it started raining heavily and they all became soaked.
This, it is said, was the
inspiration to the second chapter of the book, The Pool of Tears. The ever-occurring number of three points out Dodgson always having in mind the
three girls he tells the story to. It could, of course, having in mind the fact that he was a cleric, be the Christian Trinity or something completely
Many people have seen Alice’s Adventures in Wonderland as a prime example of the limit-breaking book from the old tradition illuminating the new
one. They also consider it being a tale of the “variations on the debate of gender” and that it’s “continually astonishing us with its modernity”. From
the looks of it, the story about Alice falling through a rabbit-hole and finding herself in a silly and nonsense world, is fairly guileless as a tale. The
underlying story, the one about a girl maturing away from home in what seems to be a world ruled by chaos and nonsense, is quite a frightening one.
All the time, Alice finds herself confronted in different situations involving various different and curious animals being all alone. She hasn’t got any
help at all from home or the world outside of Wonderland. Lewis Carroll describes the fall into the rabbit-hole as very long and he mentions
bookshelves on the sides of the hole. Perhaps it is an escape into literature he hints at. Carroll is an expert at puns and irony. The part with the mad
tea-party is one of the best examples of this. There’s a lot of humour in the first Alice book, but in the second the mood gets a bit darker and more
melancholic. The theme with Alice growing and shrinking into different sizes could reflect the ups and downs of adolescence with young people
sometimes feeling adult and sometimes quite the opposite. The hesitation so typical of adolescent girls is reflected in Alice’s thoughts: “She generally
gave herself good advice (though she very seldom followed it).” Many short comments point to teenage recklessness, restlessness and anxiety in all
One other example of maturing is Alice getting used to the new sizes she grows. She talks to her feet and learns some of the new ways her body
works in. Her feelings are very shaken from her adventures and she cries quite often when it’s impossible to obey the rules of the Wonderland — or
is it adulthood? “Everything is so out-of-the-way down here”, as Alice often repeats to herself. Alice doesn’t like the animals in Wonderland who
treat her as a child, but sometimes she gets daunted by the responsibility she has to take. The quote “Everyone in Wonderland is mad, otherwise
they wouldn’t be down here” told by the Cheshire Cat can be given an existential meaning. Is it that everyone alive is mad being alive, or everyone
dreaming him- or herself away is mad due to the escape from reality? Time is a very central theme in the story. The Hatter’s watch shows days
because “it’s always six o’ clock and tea-time”. Time matters in growing up, I guess, but further interpretations are left unsaid. The poem in chapter
12 hints at forbidden love, and it is entirely possible that it is about his platonic love for children, or Mrs. Liddell, for that matter. Considering the fact,
that the first manuscript was called Alice’s Adventures Underground, and that some — at least the Swedish — translation of the title is a bit
ambiguous, it becomes more apparent, that the world Alice enters isn’t just any childrens’ playground, but a somewhat frightening and dangerous
place for maturing. The “underground” part of the old title undeniably suggests drawing parallells to the direction of Dante or the Holy Bible.
Continuing in this direction, the wonderful garden, into which Alice wants to get, can be a symbol of the Garden of Eden. It can be assumed that
Dodgson, being a cleric and a strictly religious man, had read and was very familiar with the biblical myths aswell as Milton’s Paradise Lost. It
becomes more interesting when Alice finally gets into the garden and finds a pack of cards ruling it, with a very evil queen at its head. It appears to
be a way of saying that even The Garden of Eden can be in chaos, or that the garden isn’t really what it appears to be. Or, having in mind his
Victorian irony in the tale, a way of saying that our lives on Earth are, in fact, the closest we can get to a paradise, and that it is ruled my a
malignous queen with little respect for human lives. These theories are, of course, merely speculations and it would be quite rude to suggest even
madder parallells, which isn’t at all difficult with a childrens’ story of this kind.
Some people have gone very far in their claims that Lewis Carroll wrote the stories while influenced by opium. They say the fifth chapter with the
smoking Blue Caterpillar is about drugs. These claims have no real evidence or facts to point at, and it seems that they’re just mad rumours made up
by people who want to see more than there is in a fairy tale. It is fairly obvious that the visions of the stories derive from the genious of a man, and
not from drug influence. If the worlds in the books are somewhat surreal it surely comes from Dodgson having a vivid imagination and an ability to
make nonsense worlds alive. He definitely had his share of problems, but drugs don’t seem to have been one of them. At a closer look, there seems
to be a whole lot of anguish in the story. This becomes even more apparent in the sequel, Through the Looking Glass, and its introductory poem,
where the following can be found: “I have not seen thy sunny face, / Nor heard thy silver laughter; / No thought of me shall find a place / In thy
young life’s hereafter—”. The part surely expresses Dodgson’s feelings for missing the young girl Alice used to be before growing up.
Perhaps the first story is more like a description of a young friend growing up and disappearing out of one’s life by becoming an adult, and as such,
out of Dodgson’s reach. Dodgson lost contact with Alice Liddell in 1868, a few years before the publishing of the sequel. It seems that the first book
is a tribute to a friend who, in time, will be lost to Dodgson, and that the sequel is, considering its tone, an epitaph. This is clearly seen in the last lines
(actually, it’s just one long sentence) of the first story when Alice’s sister thinks of Alice:
“Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman ; and how she would keep,
through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their
eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long-ago: and how she would feel with all their
simple sorrows, and find a pleasure in all their simple joys, remembering her own child- life, and the happy summer days.”
It appears to be Dodgson’s own thoughts about the girl growing up expressed through one of Alice’s sisters. Another quote that expresses
Dodgson’s feelings for getting old found in the same introduction mentioned above: “We are but older children, dear, / Who fret to find our bedtime
near.” This melancholy tone of Dodgson’s can be found in various parts of the sequel, which expresses his grief of losing the close friend he once
had before she grew up and vanished. The very last poem in the sequel begins its lines with letters that make up “Alice Pleasance Liddell” — her
complete name. Charles Dodgson’s academic education shows in his books. The exotic fantasy creatures who inhabit the worlds of his imagination
all have very peculiar names made up from real words in English, French and Latin. For example, the Dormouse is a sleeping mouse. Dormire in
Latin means to sleep, while there’s no need to explain the rest of the word.
It is very difficult to decide on or write a conclusion to a project concerning so intricate subjects as this. I’ve tried to show some different
interpretations and keep the whole project as objective as possible. The subject is vast and there could probably be years spent on it without
reaching a definitive answer, and therefore I suggest people use their own imagination, common sense and logic when discussing the book Alice’s
Adventures in Wonderland. One of the few certain things are that Charles Lutwidge Dodgson really loved children and dedicated his works for
them. Whether this love of his was sexual or platonic is almost impossible to decide with the few indications he left after him.
Brown,David. The Flaws In Life.New York.
Cite this An analysis of Alice’s Adventures in Wonderland
An analysis of Alice’s Adventures in Wonderland. (2018, Jun 07). Retrieved from https://graduateway.com/alices-in-wonderland-analysis/