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Essays on Laura Mulvey

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Essay Examples

Problem of Masculinity by Laura Mulvey

Laura Mulvey


Words: 2606 (11 pages)

This essay will explore the ‘problem of masculinity’ and the way Classical Hollywood cinema invests and deals with the image of the male body, drawing from the analysis of examples from Top Hat (1935) and The Best Years of Our Lives (1946). Steve Neale argues that ‘it is very rare to find analyses that seek…

Marriage Anxieties And Voyeurism In Rear Window Analysis

Laura Mulvey


Words: 1200 (5 pages)

Essay, Research Paper Marriage Anxieties and Voyeurism in Rear Window In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes wholly obsessed with passing all of his waking hours watching his neighbours from his wheelchair. He even uses a camera to break his position and therefore enhances his function as both a witness…

Objectification of Females


Laura Mulvey

Words: 1709 (7 pages)

Looking at the film industry in the category of gender representation, it is apparent that the majority of the protagonists are male. This margin demonstrates that men dominate and gender is continually misrepresented in cinema. Men are seen as the protectors, the saviors, the breadwinners, and epitomize power and independence. Women are constantly misrepresented in…

Gendering in Bollywood


Laura Mulvey

Words: 6050 (25 pages)

Abstract Cinema is meant and believed to entertain, to take the viewer to a world that is starkly different from the real one, a world which provides escape from the daily grind of life. Cinema is a popular media of mass consumption which plays a key role in moulding opinions, constructing images and reinforcing dominant…

Frequently Asked Questions about Laura Mulvey

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What are the key arguments made by Laura Mulvey in her essay Visual Pleasure and Narrative Cinema?
Mulvey argues that the pleasure we take in Hollywood cinema–the pleasure of losing ourselves in the film, for example, or of experiencing the protagonist's victories as our own–is possible because the camera's gaze obscures the conditions of the film's production (the fact that is a film), i.e., the fourth wall.
What are the two aspects of Laura Mulvey's theory of pleasure?
Cinema, according to Mulvey, affords two forms of pleasure: `scopophilia', the erotic, voyeuristic pleasure of subjecting others to a `controlling and curious gaze' and which is associated with the `libido'; and the `narcissistic' pleasure of `identification' with the male protagonist (or the camera's point of view) ...
What is Laura Mulvey's definition of the male gaze?
The Male Gaze theory, in a nutshell, is where women in the media are viewed from the eyes of a heterosexual man, and that these women are represented as passive objects of male desire. ... The Male Gaze suggests that the female viewer must experience the narrative secondarily, by identification with the male.
What is Laura Mulvey's theory?
Adopting the language of psychoanalysis, Mulvey argued that traditional Hollywood films respond to a deep-seated drive known as “scopophilia”: the sexual pleasure involved in looking. Mulvey argued that most popular movies are filmed in ways that satisfy masculine scopophilia.

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