a. Motion
b. Time
c. Mass
d. Line
e. Light
a. boundaries between forms.
b. direction and motion.
c. shadows and highlights.
d. spatial depth on flat surfaces.
e. All of these answers are correct.
a. trapezoid.
b. square.
c. pyramid.
d. triangle.
e. circle.
a. pigments
b. chromas
c. harmonies
d. Values
e. All of these answers are correct.
a. hatching.
b. atmospheric perspective.
c. impasto.
d. saturation.
e. foreshortening.
a. yellow
b. black
c. White
d. grayish brown
e. green
a. recedes in a monochromatic color scheme where pure red dominates.
b. results from combining a warm red with a cooler hue.
c. seemed to calm and relax violent children in studies of colors’ effects upon the mind and body.
d. is the normal value of red.
e. None of these answers is correct.
a. at the exact center of the picture.
b. just behind the head of the figure of Jesus.
c. on the horizon line.
d. all of these: at the exact center of the picture, just behind the head of the figure of Jesus, and on the horizon line.
e. None of these answers is correct.
a. foreshortening.
b. chiaroscuro.
c. a restricted palette.
d. the illusion of motion.
e. simultaneous contrast.
a. actual
b. hatching
c. chroma
d. Visual
e. None of these answers is correct.
a. Motion
b. Texture
c. Color
d. Line
e. Shape
a. Organic
b. real
c. geometric
d. environmental
e. three-dimensional
a. chiaroscuro and hatching.
b. atmospheric perspective and foreshortening.
c. implied line and a vanishing point.
d. position and overlap.
e. None of these answers is correct.
a. refraction
b. spatial organization
c. isometric perspective
d. simultaneous contrast
e. Chiaroscuro
a. Flor Garduño
b. Joseph Wright
c. Joseph Albers
d. James Turrell
e. Claude Monet
a. Secondary
b. passive
c. complementary
d. triad
e. monochromatic
a. texture.
b. color.
c. modeling.
d. vanishing points.
e. repetition.
a. the effect of light.
b. the work of earlier restorers.
c. changing levels of heat and humidity.
d. pollution.
e. All of these answers are correct.
a. Les bêtes de la mer by Henri Matisse
b. The Rocky Mountains, Lander’s Peak by Albert Bierstadt
c. Untitled by Keith Haring
d. A Sunday on La Grande Jatte by Georges Seurat
e. The Last Supper by Leonardo da Vinci
a. emphasis.
b. balance.
c. unity.
d. symmetry.
e. scale.
a. emphasis and focal point
b. balance and rhythm
c. texture and color
d. unity and variety
e. proportion and scale
a. the vanishing point.
b. the central plan.
c. the true view.
d. the silver mean.
e. the golden section.
demonstrates artistic use of:
a. symmetrical balance.
b. hierarchical scale.
c. asymmetrical balance.
d. variety.
e. unity.
a. rhythm and texture.
b. symmetry and asymmetry.
c. emphasis and subordination.
d. scale and proportion.
e. None of these answers is correct.
None of these answers is correct.
a. The quill
b. The calligraphic
c. The nib
d. The twig
a. white pigment.
b. All of the answers are correct.
c. bone ash.
d. water.
e. glue.
a. None of these answers is correct.
b. double-check the dancer’s proportions.
c. make sure the figure would fit on the page.
d. suggest that the dancer is being viewed through a window.
e. make the drawing easier to copy.
a. surrealism.
b. pointillism.
c. realism.
d. conceptual art.
e. impressionistic.
a. All of these answers are correct.
b. engineering.
c. science.
d. art.
e. mathematics.
a. surrealism.
b. realism.
c. None of these answers is correct.
d. conceptual art.
e. pointillism.
a. Silk
b. Fired clay
c. Cave walls
d. All of these answers are correct.
e. Papyrus
a. the use of liquid pigmentation.
b. the use of different binders.
c. None of these answers is correct; there is no difference.
d. the fact that these media do not need a binding agent.
e. the fact that crayons are made for children, while pastels are made for artists.
a. Conté crayon
b. Graphite pencil
c. Pen and ink
d. Pastel
e. Metalpoint
a. Rembrandt
b. van Gogh
c. Picasso
d. Degas
e. Ingres
a. metal point.
b. charcoal.
c. pastel.
d. pen and ink.
e. crayon.
a. graphite.
b. ink.
c. silverpoint.
d. pastel.
e. None of these answers is correct.
a. coin
b. Wire
c. toothpick
d. dart
e. dagger
a. Lippi
b. All of these answers are correct.
c. Rembrandt
d. Degas
e. Picasso
a. newspaper layout.
b. architectural drafting.
c. engravings.
d. computer graphics.
e. discotheques.
a. conté crayon
b. chalk
c. Graphite
d. None of the answers are correct.
e. ink
a. pointillist.
b. cubist.
c. gestural.
d. impressionistic.
e. conceptual.
a. chalk.
b. All of the answers are correct.
c. charcoal.
d. white pigment.
e. pastel.
a. pen and ink
b. Pencil
c. charcoal
d. wash
e. brush and ink
a. aquatint.
b. pastel.
c. pigment.
d. binder.
e. wash.
a. exhibits each of his works individually.
b. only uses sculpture as a medium.
c. displays his drawings as elements in larger installations.
d. hangs his work from the ceiling away from any wall.
e. creates large-scale drawings with enormous physical presence.
a. Raphael.
b. Diego Rivera.
c. Pablo Picasso.
d. Georges Braque.
e. Frida Kahlo.
a. Fresco
b. Oil paint
c. Acrylic
d. Watercolor
e. None of these answers is correct.
a. dry plaster.
b. stretched canvas.
c. hot beeswax.
d. wet plaster.
e. raw silk.
a. Cartoon
b. mosaic
c. collage
d. gouache
e. sketch
a. acrylics and oils.
b. encaustic and fresco.
c. gouache and oils.
d. collage and acrylics.
e. gouache and fresco.
a. Jan van Eyck.
b. Leonardo da Vinci.
c. Michelangelo.
d. Oskar Kokoschka.
e. Georgia O’Keeffe.
a. Encaustic
b. Impasto
c. Fresco
d. Gouache
e. None of these answers is correct.
a. Rivera and Kahlo
b. Michelangelo and Raphael
c. Van Gogh and Gauguin
d. Vermeer and Van Eyck
e. Donatello and Titian
a. is less expensive than most.
b. produces the most brilliant colors.
c. dissolves in water.
d. dissolves in something other than water.
e. is very fast-drying.
a. a pigment.
b. an impasto.
c. a ground.
d. an emulsion.
e. a glaze.
a. A powdered color
b. A medium
c. A solvent
d. A binder
e. A vehicle
a. fresco.
b. oil paint.
c. acrylic.
d. tempera.
e. encaustic.
a. fresco.
b. linseed oil.
c. primer.
d. a nonaqueous medium.
e. None of these answers is correct.
a. permanency.
b. opacity.
c. ease of revision.
d. transparency.
c. textural qualities.
a. a pigment.
b. a ground.
c. a border.
d. a support.
e. a binder.
a. a subtle blending of colors.
b. the painting to be reworked indefinitely.
c. the application of layers of paint on top of one another.
d. an almost infinite range of consistencies.
e. All of these answers are correct.
a. Gouache
b. Acrylic
c. Encaustic
d. Tempera
e. Collage
a. mosaics.
b. tapestries.
c. collages.
d. egg tempera.
e. None of these answers is correct.
a. watercolor
b. encaustic paint
c. gouache
d. acrylic
e. ink sticks
a. screenprints
b. intaglio prints
c. Monotypes
d. relief prints
e. planographic prints
a. There are 99 other prints in the edition.
b. It is one of 4 in a series of similar pictures.
c. It was enlarged by 4 percent from the original size.
d. Four colors, including black, were used in the printing process.
e. There are 96 other prints in the edition.
a. Screenprinting
b. Relief
c. Gouache
d. Lithography
e. Intaglio
a. Lithograph
b. Silkscreen
c. Relief
d. Intaglio
e. None of these answers is correct.
a. Prints are always machine-made and relatively inexpensive.
b. Prints are copies of works of art and don’t involve artists in the production process.
c. Prints have very little resale value and are a poor investment for collectors.
Right d. Prints are made using an indirect process and this process results in multiples of the same image.
e. None of these answers is correct.
a. Germany.
b. India.
c. Italy.
d. Japan.
e. China.
a. Standard Station by Ed Ruscha.
b. Hasta La Muerte by Francisco de Goya.
c. Untitled (Sequoia and Moon) by Vija Celmins.
d. Woman Bathing by Mary Cassatt.
e. Preface to the Diamond Sutra.
a. a new image may be printed from it.
b. no more prints can be made from it.
c. the artist may rework his or her ideas anew.
d. the printmaker can properly register the prints.
e. ink can be applied to it for printing.
a. silkscreen
b. lithographic stone
c. monotypes
d. the planographic process
e. an artist-quality printer
a. etching
b. intaglio
c. serigraphy
d. relief
e. Planographic
a. a burin.
b. a burr.
c. an impression.
d. an edition.
e. an etching.
a. wood engraving.
b. serigraphy.
c. stone relief.
d. aquatint.
e. lithography.
a. Germany.
b. Spain.
c. China.
d. Egypt.
e. None of these answers is correct.
a. registration.
b. intaglio.
c. monoprinting.
d. serigraphy.
e. multiples.
a. lies above
b. lies below
c. lies even with
d. is forced through
e. None of these answers is correct.
a. Mezzotint
b. Etching
c. Linocut
d. Engraving
e. Aquatint
a. Mezzotint
b. Engraving
c. Linocut
d. Drypoint
e. All these answers are correct.
a. “screenprinting.”
b. “silk writing.”
c. “stencil work.”
d. “squeegee.”
e. “sketching.”
a. Louise Bourgeois.
b. Francisco de Goya.
c. Vija Celmins.
d. Elizabeth Catlett.
e. Enrique Chagoya.
a. planography
b. Relief
c. monotype
d. serigraphy
e. photographic