Parallels Between “The Hollow Men” and the Great Gatsby

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Summary

The Hollow Men by T. S. Eliot and The Great Gatsby by Scott Fitzgerald, both published in 1925, share similar themes and opinions about the time period. The themes of senselessness, unattainable fantasies, and facade are evident in both works. The lack of substance is looked down upon, and empty gestures are used to convey this. The unattainable fantasy is also a recurring theme in both works. In The Hollow Men, the idea of chasing after a glorified perfection is expressed through the reappearing image of a star. In The Great Gatsby, Gatsby’s love for Daisy is unattainable, and he is constantly reaching for her and the green light at the end of her dock. The idea of farce is also present in both works. Charades are kept up by practically every character in The Great Gatsby, and in The Hollow Men, T. S. Eliot mentions the deliberate disguises used.

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“The Hollow Men” by T. S. Eliot and The Great Gatsby by Scott Fitzgerald but have similar themes and were both published in 1925. These pieces of literature illustrate two similar opinions on the same time period. There is a parallel between the two works that can easily be shown. The reoccurring themes of senselessness, unattainable fantasies, and facade appear and both works and can be cleanly displayed. “The Hollow Men” by T. S. Eliot states in lines three trough six “We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw… and in The Great Gatsby a man in Gatsby’s library comments on how his books aren’t hollow, how they have pages with words. You see this throughout both works, this comparison between things of substance verses things without cause or meaning. There is a deficit of the former and the later is looked down upon. “Shape without form, shade without colour, Paralysed force, gesture without motion. ” is how T. S. Eliot’s “The Hollow Men” describes this unsatisfactory lack of significance.

The Great Gatsby shows this with different subtle symbols like the books in Gatsby’s library. There are also a lot of empty and meaningless gestures used in The Great Gatsby, “Lips that would kiss Form prayers to broken stone. ” is how Eliot describes these empty gestures (lines 50-51). Another reoccurring theme in these two pieces involves the unattainable fantasy. In The Great Gatsby this is clearly illustrated by Gatsby’s love of Daisy, not of the real Daisy, but the Daisy he’s made in his mind.

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Gatsby is constantly reaching for her and the green light at the end of her dock, which is symbolic of his unattainable dream. Eliot illustrates the same point by using the reappearing image of a star. The star is usually dying or fading and distant (lines 29-30, 46, and 56). “The Hollow Men” shows that there is this glorified perfection that is chased after, but unachievable. It is evident that the idea of farce is expressed in The Great Gatsby as well as “The Hollow Men”.

T. S. Eliot mentions it several times (“Such deliberate disguises” line 34) and it’s shown through The Great Gatsby. In The Great Gatsby Daisy tries to keep up a good appearance, but really hates her life, Tom pretends that he has everything together, Gatsby pretends he is “old money”, Myrtle, Tom’s mistress, pretends that she is high class, and the list goes on. Practically everyone in the novel has one or more charades that they are trying to keep up.

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