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Folk Dances Essay

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    Tinikling Tinikling is a pre-Spanish dance from Leyte that involves two people crushing. tapping. and skiding bamboo poles on the land and against each other in coordination with one or more terpsichoreans who step over and in between the poles in a dance. Maglalatik Maglalatik is an autochthonal dance from Binan. Laguna in which the terpsichoreans – all male – execute the dance by hitting one coconut shell with the other. The shells were worn by the performing artist. all in clip to a fast rub-a-dub. Itik-Itik.

    Itik-Itik is a mimetic common people dance in Surigao that imitate the motions of ducks among rice Paddies and swamplands. such as wading. winging. and short. jerky stairss. “Sayaw sa Bangko” Sayaw SA Bangko is a dance from Lingayen and Pangasinan that is performed on top of narrow benches. The terpsichoreans need to hold good balance to execute this dance. “Philippine Folk Dances” Binasuan Binasuan is a Filipino common people dance from Pangasinan in which the performing artist holds full vino spectacless in each manus while executing equilibrating fast ones. Pandanggo sa Ilaw.

    Pandanggo SA Ilaw is a popular dance of grace and balance from Lubang Island. Mindoro that requires accomplishment in equilibrating three lighted oil lamps or tinghoy. one on the caput and at the thenar of each manus. Sayaw sa salakot Sayaw SA salakot is a common people dance from Luzon that is carried in mode in which the terpsichoreans make usage of caput cogwheels ( salakot ) . Singkil Singkil is a celebrated dance of the Maranao people of Lake Lanao. traditionally performed by individual adult females to pull the attending of possible suers. Dancers perform a series of graceful motions as they step in and out from between bamboo poles which are rhythmically clapped together.

    Fans and scarves are frequently used to heighten the dancers’ motions. “Philippine Folk Dances” La Jota Manilena La Jota Manilena is dance named after the capital metropolis of the Philippines. Manila. where an version of Castilian Jota floats with the clacking of bamboo boness played by the terpsichoreans themselves. The costume and the graceful motions of the performing artists are perceptibly inspired by Spanish Culture. Subli Subli is a dance devotedness performed in award of the Mahal sodium Poong Santa Cruz. a big rood of anubing wood with the face of the Sun in Ag at the centre Kuratsa.

    Kuratsa is a folk dance of Waray that portrays a immature playful couple’s effort to acquire each other’s attending. It is performed in a moderate walk-in manner. Carinosa Carinosa is a Filipino dance of Latino beginning from the Maria Clara suite of Philippine common people dances. where the fan or hankie dramas an instrumental function as it places the twosome in love affair scenario. “Philippine Folk Dances” Pantomina Pantomina is a wooing dance originated from Sorsogon copying the wooing and sexual love of doves that so showed during the dance where work forces try to delight the adult females.

    Sakuting Sakuting is a dance from the state of Abra. It was originally an all-male dance public presentation showing a mock battle between Ilocano Christians and non-Christians utilizing sticks. The dance is traditionally performed during Christmas at the town place or throughout the town. from one house to another. Banga Dance Banga Dance is a modern-day public presentation of Kalinga of the Mountain Province in the Philippines. This dance illustrates the dreamy grace of a tribe otherwise known as ferocious warriors. Kappa Malong-Malong Kappa Malong-Malong is a Muslim-influenced dance.

    The malong is a cannular garment. and the dance basically shows the many ways it can be worn. There are men’s and women’s versions of the dance since they wear malongs in different ways. “Philippine Folk Dances” Habanera Botolena Habanera Botolena is a strongly flamenco-influenced dance that comes from Botolan. Zambales. It combines Filipino and Spanish stairss. and is a popular dance at nuptialss. It is besides considered a wooing dance in some state of affairss. Pasigin Pasigin is a common people dance construing labor in the life of the fishermen in the river called Pasig. attesting the native agencies of catching the fish.

    Pangalay Pangalay is is the traditional “fingernail” dance of the Tausug people of the Sulu Archipelago that requires the dancer’s sleight and flexibleness of the shoulders. cubituss. and wrists– motions that strongly resemble those of “kontaw silat. ” . Salidsid Salidsid is the Kalinga wooing dance. performed by a male and female. The dance starts when each of the terpsichoreans is given a piece of fabric called ayob or allap. The male simulates a cock seeking to pull the attending of a biddy while the female imitates the motions of a biddy being circled by a cock. “Philippine Folk Dances” .

    Uyaoy Uyaoy is an Ifugao nuptials festival dance accompanied by tam-tams and is performed by the flush to achieve the 2nd degree of the affluent category. Affluent people who have performed this dance are entitled to the usage of tam-tams at their decease. Dugso Dugso is a ceremonial dance that is normally performed during of import occasions like kaliga ( banquets ) or kaamulan ( tribal assemblages ) among the Manobo people in Bukidnon. Agusan and Misamis Oriental. Sayaw sa Cuyo Sayaw SA Cuyo is a mazurka danced by eight misss rocking little delicate hankies to stress bends and kinks.

    Bantam paper Crowns make the terpsichoreans feel like immature princesses. The dance originates from Cuyo. Palawan. Pagapir This dance from Lanao del Sur Province in Mindanao is normally performed to get down an of import matter. Its terpsichoreans are normally from the royal tribunal or high society group of Lanao Province. They use apir ( or fan ) to organize with their little stairss called ‘kini-kini’ . which symbolizes their good manners and outstanding household background “Philippine Folk Dances” Lumagen Lumagen is Another Kalinga tribal dance.

    This is a traditional Thanksgiving dance performed to cele brate good crop and events such as birth of first-born kid. triumph in conflicts and nuptialss. Idudu Idudu is a tribal dance from the Abra state in Cordillera. This dance depicts a twenty-four hours inthelif- household life in the Itneg or Tinguian folk. It tells the narrative of a male parent ploughing the field as the female parent cares for her kids. In clip. the male parent and female parent exchange responsibilities as the female parent coatings seting and other jobs in the field. and the male parent tends to the childs. Kini Kini Kini means the Royal Walk.

    Maranao adult females performed this dance with scarves. The beauty of the scarves and the endowment and grace in which it is displayed shows their elect societal upbringing. Asik Asik is a solo slave dance from Mindanao that is normally done before the public presentation of singkil. The umbrealla-bearing attender performs this dance to win her sultan master’s favour. “Philippine Folk Dances” Imunan Imunan is a courtship dance of Ilokano beginning. A beauty enters for an afternoon promenade with her suers. At the terminal of the dance. the loveable and capturing lady can non choose from any of her suers.

    Balse Balse derived from the Spanish “valse” ( walk-in ) . this dance was popular in Marikina. Rizal state. during the Spanish times. Balse was performed after the lutrina ( a spiritual emanation ) . and the music that accompanied the terpsichoreans was played by the musikong bungbong ( instrumentalists utilizing instruments made of bamboo ) . Sapyata This dance. from Manibaug barrio. Porac. Pampanga. is normally presented by the husbandmans during the planting season as an offering for a good crop. The dance is normally accompanied by a corrido. or musical narrative. Gaway gaway.

    This dance originates from a little town of Leyte called Jaro that celebrates the big crop of the gaway–a works of the taro household that is grown both for the vegetable and its roots. The female terpsichorean keep a nigo ( bilao in Tagalog ) laden as she dances. “Philippine Folk Dances” Lawiswis Kawayan Lawiswis kawayan is a known as the Waray common people dance. It is dance in the Visayas part by the Waray people. Through the old ages Lawiswis kawayan is non merely dance by the Waray but besides among the Filipinos who have lived in the different parts of the state.

    It is danced during house approvals. Kuradang Kuradang is a lively festival dance performed during fetes. nuptials. baptismal parties and other occasions that call for a jubilation. It originated from Eastern Visayas particularly in the northern portion of the state of Eastern Samar. Gayong-gayong Gayong-gayong is a playful Muslim dance which originated from the state of Aklan on the island of Panay in Capiz. In most rural countries that have get-togethers. they opt to utilize this dance which gives so much joy and pleasance – both to the terpsichoreans and the audience. Kalapati.

    Kalapati is a lovely dance patterned after the characteristic motions of the kalapati or doves as they court–bowing. charge and cooing. It depicts the typical traits of the Ilocanos ( simpleness. naturalness and shyness ) . It originated from Cabugao. Ilocos Sur “Philippine Folk Dances” Kasanduayan Kasanduayan is a common people dance that came from Marawi City. Lanao del Sur. Maranao adult females populating near the shores of Lake Lanao walk nobly with their typical motions. most peculiarly their graceful sway. Girl wears tight long-sleeved blouse in royal colourss such as aureate yellow. green. pink. violet and velvet ruddy.

    Panderetas This dance is besides called “Panderetas de Amor” . Panderetas means “tambourines” in Spanish. This dance portrays a heavy Spanish influence. The dance is from Manila and has been included in their Maria Clara Suite. Ragragsakan Ragragsakan is an version of a tradition in which Kalinga adult females gather and fix for a budong. or peace treaty. This dance portrays the walk of the hardworking Kalinga adult females. transporting H2O pots on their caputs and have oning the colourful hand-woven “blankets of life” around their cervixs. Their walk imitates the ascent up the Rice Terraces in the Mountain Provinces of the Philippines.

    Sapatya Sapatya reveals hints of Spanish and autochthonal Filipino. Sapatya originates in Pampanga. Luzon. The dance is presented to husbandmans as an offering for good crop. The name is Sapatya may hold originated from the Spanish term. Zapateado. “Philippine Folk Dances” Polka sa Plaza Polka SA Plaza is a expansive parade of beautiful ladies in their traditional Spanish gowns called Maria Clara and sunshades ( umbrellas ) . With their spouses. have oning their traditional Barongs. they lief parade. get downing from the church pace traveling around the town.

    Pandanggo Oasiwas Pandanggo Oasiwas literally means the ‘Fandango with the Light’ in English linguistic communication. . This dance is from the Lubang Island. Mindoro. The term ‘pandanggo’ which means ‘fandanggo’ in the Spanish linguistic communication is really dance that is characterized by taging clip with the usage of clap of boness. the snapping of the fingers and the stomping of the pess in the triple-time beat. Maglangka Tausug terpsichoreans are trained by highly-skilled dance trainers that purely adhere to traditional manner of their dances.

    The Maglangka ( means ‘to dance’ ) rehearses immature [ misss ] trainees to the right posturing or manus motions and arrangements which are in turn really basic in larning more luxuriant Tausug dances like the Pangalay. Binoyugan Binoyugan is a dance originally from the Ilokano part of Pangasinan. Binoyugan ( beeh-noh-YOOH-gahn ) features adult females equilibrating on their caputs a banga or clay pot which they use to bring H2O from the river or good. or in which to cook rice. The dance culminates with the adult females puting stomach down on phase. and turn overing from side to side. all while equilibrating the pot.

    “Philippine Folk Dances” Alcamfor Its name is derived from the works of the same name holding a curious hot and aromatic odor. Female terpsichoreans hold hankies scented with the “alcamfor” ( naphtalene balls ) believed to bring on love affair. The dance came from Leyte. B’laan B’laan is a Courtship dance of Davao del Sur copying forest birds during the coupling season. All motions of the Blit-B’laan are done with the articulatio genuss somewhat dead set. Pasikat na baso Pasikat Na Baso ( Pangapisan. Pangasinan ) Pasikat means to demo off and baso agencies imbibing glass.

    Dancers display good balance. graceful motions and unusual accomplishment on the top of a bench with the usage of four spectacless half full of H2O or vino. Tiklos The Tiklos is a native provincial dance of Leyte. Tiklos ( besides called “pintakasi” ) is the Waray equivalent to the “bayanihan” . Groups of people work for person without trusting for anything in return. The provincials cooperate for the societal and economic advancement of their community. “Philippine Folk Dances” Tinolabong Tinolabong is dance of the mountain people of Panilan and Loctugan. Capiz. This dance named after a bird called tolabong in Capiz.

    Carabaos like the birds as they peck at the ticks. flies. mosquitoes and other insects. The danced imitates the motions of the birds. Girl terpsichorean wares red or white skirt and white loose blouse with long arms and close cervix like a chambra. Boy wares ruddy or white pants and white camisa de chino. Both are au naturel pes. Polka Sa Nayon This dance comes from the state of Batangas in the Tagalog Region of the Philippine Islands. In the old yearss it was really popular and was normally danced at all the large societal personal businesss and at the town fetes.

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