Success Of The Dave Matthews Band

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Who is the Dave Matthews Band? Five old ages ago that inquiry would hold gotten nil more than a eldritch stare and a stupid expression. But today you would acquire everything but that. The Dave Matthews Band is one of the most successful sets of the late twentieth century. But many inquire how a set so new has become so successful in such a comparatively short period of clip. Many come to inquire if it was their music, their expression, or perchance something else that has made the Dave Matthews Band what they are today. It is my sentiment that the Dave Matthews Band’s success comes from their earth-toned acoustical music, their buttoned flannel shirts and their khaki bloomerss, their heart-laced wordss, and the demand for many Jerry Garcia “Dead Head” subsisters to happen a new musical connexion to life.

Using the Official Dave Matthews Web Page  as a mention tool, I found that the life of the Dave Matthews Band saga begins early in 1991. Dave Saint matthews decided to set the vocals he’d been composing on tape. But instead than entering merely his voice and guitar, he decided to garner some other instrumentalists to give the undertaking a Fuller sound. Carter Beauford, Leroi Moore, Stefan Lessard, and Boyd Tinsley teamed with Dave Matthews and became the Dave Matthews Band. After several dry runs in cellars, they were ready to play in public. The first gig was May 11, 1991 at a party on the roof of an flat edifice in Charlottesville.

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About 40 people were in attending that dark. Their first open-to-the-public public presentation was at the 1991 Earth Day Festival on Charlottesville, Virginia’s Downtown Mall. That exposure led to regular Tuesday dark gigs at a little eating house called Eastern Standard. Before long, the largest music nine in town had them playing Tuesday dark gigs make fulling the nine to capacity with locals and University of Virginia pupils hebdomad after hebdomad. As word spread, the set was playing three- four- five- dark Tourss around the part. As the set’s success began to exfoliate, the first album named Remember Two Things was released in August of 1993, shortly followed by Recently released in February of 1994. With 1994 turn outing to be a large twelvemonth for the Dave Matthews Band, Under the Table and Dreaming was released on September 27th. This major release is what truly made the sets elegant acoustical sound known throughout the United States and Europe (26 March 1999) .

By this point, many wonder what is following for the Dave Matthews Band. Their audience was turning, but they still didn’Ts have a undermentioned that rivaled sets like the Grateful Dead and Phish. But cipher could hold predicted what 1995 would convey, both good and bad. Dave Matthews Band (DMB) opened two shows for the Grateful Dead at Sam Boyd Stadium in Las Vegas. Some believe this show was invaluable and “one in a million” for the Dave Matthews Band (Pepper). Many of the grounds this show was so of import had to make with the attending Dave Matthews Band got from the Grateful Dead’s audience. This proved to be an overpowering significance when the Dead encountered the decease of Jerry Garcia subsequently on in the 1995 twelvemonth. The Grateful Dead had an unbelievable sum of fans. “The set attracted a cult following in unrecorded public presentations by playing without set lists (lists of vocals) in a free jury-rigged format shaped in portion by audience resonance” (Garcia). All the “Grateful Dead” fans, better known as “Dead Heads” loved the acoustic sound Garcia provided for the set, and with the freshly created vibration of Dave Matthews Band, the passage was an easy one to do. Thus, many of the “Dead Heads” are now faithful followings of the DMB, and many now use Dave Matthews Band as a new musical connexion to life.

But the decease of Jerry Garcia and the flock of freshly dedicated fans weren’t the lone grounds for popularity for the Dave Matthews Band. The sound, the feeling of the music that Dave Matthews Band creates, makes for their ain followers, like no other earlier. As David E. Thigpen, writer, Time magazine puts it: The DMB offers an option to alternate stone: music that is conspicuously eclectic but obviously rooted in the familiar bedrock of Americana, the blues and wind. By presenting acoustic guitars and switching pacing punctuated by fiddles, penny whistlings and other flourishes of universe music and wind, the set has forged a intellectual yet commercially appealing sound, exceling rivals like Phish. (Thigpen)

After the release of Under the Table and Dreaming came the album Crash, which involved assorted creative persons such as Bela Fleck & the Flecktones and Los Lobos. But their most recent and best studio entering attempt by a landslide is Before These Crowded Streets. Instrumentally, the set is joined by interesting invitees such as Bela Fleck that is known to “…decorate the record with his serrate banjo…” (Gulla). Kronos Quartet and Alanis Morisette show up on several vocals and sing background vocals on “Spoon”. Before long, the Dave Matthews Band non merely attracts their ain audience, but they reveal that instead than being content with their considerable fan base, they reach out to new manners, new thoughts, and best of all new fans (Gulla).

Though their music is powerful so, what’s in the music is as so of all time powerful. Lyrics are the bosom of any music, whether they are sung, shouted, or mumbled. The Dave Matthews Band is decidedly one to speak when it comes to wordss. In hearing any of his wordss from all the manner back to his first album, right up to his current hit with Before These Crowded Streets. All of the Dave Matthews Band vocals have what many would name “bosom and psyche” to them. Take for case “I Let You Down” :… I let you down; How could I be such a sap like me; Tail between my legs; I’m a puppy for your love; I’m a puppy for your love; I have no palpebra upon my caput; But if I did; You could look inside and see what’s on my head; oh it’s you … ; Line by line, Dave Matthews Band departers find themselves breathless is awe of the words that come from Dave’s oral cavity. In “I Let You Down”, Dave is singing about how he had done something that let purportedly somebody down by, and he is so disquieted he tries to demo his sorrow and his privation to accommodate his incorrect making. But the helpless of his music propels you into his universe so you can experience his hurting.

Many good known magazines besides have good things to state about Dave Matthews Band’s lyrical attack, “he (Dave Matthews) conjures optimism in a universe beset by environmental depredation, political palsy, diffidence, and hopelessness” (Thigpen). Meanwhile Dave Matthew’s describes his vocals as “therapy, an attempt to assist his hearers cope with society, where racism is perfectly alive” (Sheffield).

There’s something else about the Dave Matthews Band that propels so many to desire to see every show that they play. Maybe it’s because whenever the set is seen they wear anything but precisely what one of the newest and most popular alternate sets would have on; Khaki bloomerss, flannel shirts, hemp necklaces, and an occasional baseball cap. This helps make the well known “laid back” manner of the set onstage every bit good as off. But rather perchance it’s the manner they “look more like a wind jazz band than a stone set” (Thigpen). Robin Bresnark, from Melody Maker says:

Their musical manner is really natural, full of blues and wind from debut of acoustic guitars and switching pacing punctuated by fiddles, penny whistlings, and other flourishes of would music and wind. Onstage the five set members seem more like a wind jazz band, playing tightly coordinated phrases so all of a sudden swerving off into flights of improvision. (Bresnark)

In decision, the Dave Matthews Band is nil short than unbelievable. By projecting a really laid back and functional attitude, with a really unfastened musical manner, the set will go on to exceed the hoarding charts for old ages to come. Dave Matthews’musical manner will populate everlastingly, and I am certain that Jerry Garcia is really happy knowing that his followers is now kiping in line for hard to acquire tickets to every show Dave Matthews Band plays. Endowment flourishes in the set, and for anyone who has any of their CD’s, you’ll know that their unrecorded music is improbably self-generated. But one thing is for certain, this set will be let go ofing albums for old ages to come; and it’s Nice to hear music that is non filled with hatred or force, but filled with bosom and psyche wordss, and a non-violent tone.



  1. Bresnark, Robin. “The Dave Matthew Band gives us a guided circuit of Washington DC.” Melody Maker Aug 8, 1998.
  2. Bresnark, Robin. “Unfinished Monk Business” Melody Maker Jun 27, 1998.
  3. Garcia, Jerry. “Jerry Garcia.” Encyclopedia Encarta. 1998 Ed.
  4. Gulla, Bob. “Before These Crowded Streets.” Audio Aug 1998.
  5. Pepper, Tracey. “Dave Matthews Band” US Jun 1998
  6. Sheffield, Rob. “Stunt/Before These Crowded Streets.” Rolling Stone Dec 24, 1998-Jan 7, 1999.
  7. The Dave’s Matthews Band: the official Web Site. ( 1991-1997 ) hypertext transfer protocol: //
  8. Thigpen, David E. “Shelter in the storm” Time Aug 3, 1998.

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Success Of The Dave Matthews Band. (2017, Jul 13). Retrieved from

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