All poets have a certain construction in order for their verse form to be understood in an artistic and alone manner. Through the usage of organisation, enunciation and nonliteral linguistic communication, the verse form is composed in a originative mode. When the poet begins to talk of what he remembers, he uses graphic colourss to depict his milieus and besides his phase in life. As the first stanza progresses, it leads the reader to the talker? s seeing which is focused on the abundant sky filled with birds. Yet the talker begins to show of his awe and astonishment that occurs when he sees the flock of birds in lines 14-24.
This is a simile to decease, something that is excessively strong for even the human spirit. Is darkened in musca volitanss. This colour imagination is another manner to typify decease in which the poet at this clip fears. This is like the motions of a pulse. He besides depicts the flock of starlings as a stone, & gt ; something changeless, hardy, and indestructible. In the following stanza, world is set in to the talker. He is distracted by his ain universe and does non see it as beautiful.
It seems as if this scene is a work of art like pointillism. It is beautiful from afar but jaded looking up near. When he looks about, he considered himself like Lot. He so observes the birds the starlings covering the fairway. He states in lines 39-40, I had nil in nature would be so wide but grass. Grass is green and the symbol of life beginning, turning, and regenerating. The birds, a symbol of decease, cover the grass, a symbol of life. In the 6th stanza, he observes one bird winging once more into the sky and the remainder of the flock following. He now describes the flock as a lady scarf, something delicate and beautiful, unlike his first description of the birds as clouds, something hovering and baleful. In the last stanza, the poet compares the lifting of the birds as an relief of his once onerous bosom.
The grass is seen once more when the birds leave. This is a symbol of the circle of life and it comforts him. In The Great Scarf of Birds by John Updike, the poet foremost is fearful of the phase in his life but is subsequently comforted by visualizing the flock flight, which becomes a symbol of life go oning rhythm. This verse form is farther illustrated through its usage of enunciation, organisation, and usage of nonliteral linguistic communication.