Going to a Movie: Archetypes in the “Star Wars” Movie

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Within Star Wars: A New Hope and Return of the Jed, archetypes exist that exemplify the theme that good can triumph over evil through perseverance. Primarily, symbolic archetypes flourish within George Lucas’ masterpiece. As an example, the contrast of colors in Luke Jaywalker’s clothing represents a loss of innocence in the main character. As a teenager in Star Wars: A New Hope, he wears clothes of all white, representing his pureness as a young adult. Swept away by adventure, Jaywalker can no longer cling to his security blanket of virtue after learning about the force and the evil of the Empire.

This change in him is noticeable when, in Return of the Jed, Luke discards his former white and chooses a more somber black. His attire complements his morose, yet determined heart. Also, this contrast of white and black is evident in the setting of the two movies. The Rebel base consists of mostly light backgrounds, while the Death Star and the home of Jab the Hut appear dark and mysterious with evil forces. This perceptible difference shows that the place with good forces, the Rebel base, seems flourished with light colors, and that the evil settings contain the symbolic color of black.

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Another hemolytic archetype presents itself as the force, a power that can be employed for good or ill and upholds the universe. The force can be compared to a supernatural intervention; while this frequently refers to a more godlike figure, the Jed Knights consider their path a religion, a force with a will of its own. It can work for or against Luke, as it aids both Dart Evader and his son IR their struggles for the galaxy, a common characteristic of paranormal intervention. In addition, Hood’s swamp could indicate the symbolic archetype, water.

As Luke Jaywalker trains with this Jed master, he matures, ultimate by the symbolic water of Hood’s home. On his last visit to You’d, eke also learns his fate, accepting his duty as a Jed knight and the hope that rests in his sister, Leila. Certainly, the symbolic water archetype lies in Hood’s home and final resting place. Clearly, the two movies of “Star Wars” contain numerous symbolic archetypes. Also, “Star Wars: A New Hope and Return of the Jed” include many situational archetypes. One such archetype evident in these movies is the journey. The hero of the story, Luke Jaywalker, goes on numerous journeys throughout the movies.

One of such archetypes is the quest of finding his true identity, which concludes with the realization that Dart Evader is his father and that Leila appears to be his twin sister. Another is the quest to find knowledge; in this case, he is seeking the force. With the guidance from Obi-Wan Kenton, he acknowledges the force, letting his body become in tune with its being. Moreover, he is also on the quest to rid the land of the danger from the threat of the Empire. Evident in both movies, Luke, Han Solo and Leila, along with their companions, combine forces to destroy the evil forces and save the people of the universe from danger.

These quests are evident when they try o destroy the Death Star and its rebuilding, and Luke attempts to face Dart Evader. Additionally, the two movies also contain examples of tasks. First, RED gives Luke and his companions a message from Princess Leila, who wants them to save her from the Empire. Therefore, they go on this task of saving her from the evil. Another task can be seen when Luke attempts to save both Han Solo and Princess Leila from the grasp of the outlaw, Jab the Hut. In all of these tasks, the hero is faced with numerous difficulties from the dark side, which he must overcome and save his captured friends.

The Attlee between the good and evil is obviously the fight between the Rebel alliance and the Empire, which is evident throughout the Star Wars series. As expected, the good triumphs over the evil forces after the end of these battles, destroying the dark powers with the help of the hero and his companions. Also, the magical weapon that aids the hero, Luke, in the movies is the light saber. It clearly exemplifies the extraordinary quality of the hero, because no one else, including Dart Evader, can utilize the weapon and use its powers to a full potential.

It further fits the archetype because the mentor Geiger, Obi-Wan Kanji gives Luke the weapon and teaches him how to fight with its forces. Furthermore, unalienable wounds are also evident in the movies of Star Wars. The most evident one is Dart Evader’s mask and his breathing condition. As many audiences can hear, Dart Evader breathes simultaneously through a black mask. This wound seems unalienable and cannot be healed fully. Obviously, situational archetypes thrive throughout the trilogy of Star Wars. Another collection of archetypes employed by George Lucas is setting, which allows the audience to better empathic his works.

The playwright blue prints cost of his settings through the trilogy by employing common archetypes that can be found in a myriad of places, including simple fairy tales. One frequent archetype is the underworld, which can be linked with the Death Star. It is the home base Of the Emperor, Dart Evader, and their followers, which is also the setting in which the hero, Luke, encounters his worst fear of turning to the dark side. Another archetype apparent in Star Wars can be found in the vast abyss of space, a prime example of the wilderness. Space seems the only region where rules do not apply and that people, creatures ND rumors run wild.

In the movies, the outer space is a vast unknown area that no one can control, similar to the untamed wilds. In addition, the garden is defined as a place of harmony, nature and innocence; yet, it may be ruined or poisoned, and the hero is forced to leave this paradise. The garden can be compared to the Awoke woods on the moon Ender. These woods contain tiny teddy bear like creatures that represent simplicity and utterly radiate innocence. These lovable characters put the hero at a sense of ease, but within these woods a storm trooper base is poisoning the Kook’s ways and wildlife style of life.

Luke is forced to leave for fear of endangering his companions and newfound friends, when Dart Evader and his storm trooperВ± discover him. Undoubtedly, the movies of Star Wars contain numerous setting archetypes. As a final point, the movies also contain an abundance of character archetypes. Primarily, the archetype that strikes most audiences first is the hero. Luke Jaywalker fits this archetype because of his qualities of a hero. His aunt and uncle are his foster parents; the movie does not portray his childhood, which the audience knows little about.

Moreover, he lives in an ordinary world in the beginning of Star Wars: A New Hope: a farm with no adventures. He is expected to help with uncle with chorus around the farm, like a regular teenager would do. However, he gets a call to adventure by the message of Princess Leila and meets his allies, C-POP, RED and Han Solo, whom are his loyal companions willing to face any type of danger. Obi-Wan Kenton serves as Lake’s mentor through teaching him the force and the light saber. Additionally, Master You’d, Obi-Wan Keno’s mentor, also serves as Lake’s mentor and teaches him about the force.

The hero also confronts his enemy, the people in the Empire. Numerous other character archetypes are also present in the Star Wars trilogy, including Chewable, who reflects the qualities of the friendly beast. The animal represents the side of nature that aids the hero and his allies. The shadow figure seems to fit Dart Evader; he is an opponent with whom Luke must struggle until the end and defeat. The emperor of the Empire is the devil figure, who tries to lure Luke to the dark side. Princess Leila appears to be the damsel in distress; the hero, Luke, must rescue her when the Empire on the Death Star captures her. Also, in the

Return of the Jed, Jubbah the Hut uses her as a trap to lure Luke and his companions. Visibly, the movies of Star Wars contain numerous character archetypes. With the ending credits, people arise stiffly from their theater seats. Finishing Off their popcorn, they stride into the startlingly bright light Of everyday life. The impact of such a phenomenal movie is not easily brushed off, however. The well-known battle between light and darkness that surrounds the movie also stirs the hearts of every viewer. In conclusion, the archetypes of Star Wars reinforce the subtle theme that through perseverance, good can eventually triumph over evil.

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Going to a Movie: Archetypes in the “Star Wars” Movie. (2018, Feb 10). Retrieved from


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