Scarlet Letter Scaffold Scenes Essay, Research Paper
In Nathaniel Hawthorne s, The Scarlet Letter, the writer uses three scaffold scenes to tag the development of Hester Prynne. The image of Hester atop the staging is a metaphor for her forced purdah ; for her ostracism from society ; and for the futility of her penalty. In the first scene, Hawthorne uses the scaffold to explicate how Hester can non believe that the A and the babe are existent. In the 2nd scaffold scene, Hawthorne tries to convey to the reader that Hester has to the full repented for her wickedness, nevertheless this is non true. In the concluding scaffold scene, Hester does non yet to the full repent for her wickedness because her love for Dimmesdale is still strong. Through Hester, Hawthorne is seeking to pass on to the reader that it hard for Hester to atone the wickedness of criminal conversation.
In the first scaffold scene, the writer writes Could it be true? She clutched the kid so ferociously to her chest, that it sent Forth a call ; she turned her eyes downward at the vermilion missive, and even touched it with her finger, to guarantee herself that the baby and shame were existent. Yes! -these were her realities-all else had vanished ( page 41 ) From this quote the reader learns that Hester is merely get downing to cover with the shame of her wickedness. It is apparent from this quotation mark that she has non yet come to clasps with her actions. She is in an arrant province of daze, and it seems as if she is seeking to happen a manner to bury about her wickednesss. What is besides learned from this quotation mark is that Hester, is a proud adult females. This quotation mark symbolizes Hester s pride because even though her life is at a low wane, and, she faces the world of the Scarlet Letter, she attempts to keep her caput and the caput of her infant high. Here the scaffold represents her unwillingness to accept her wickedness.
In the 2nd scaffold scene, it seems as if Hester has changed from sinne
R into a citizen who now has a occupation in society, and that she no longer yearns for Dimmesdale and Dimmesdale no longer covets her. However, this is non true. Hawthorne writes, The minute that he did so, there came what seemed a disruptive haste of new life, other life than his ain, pouring like a downpour into his bosom, and travel rapidlying through all his venas The three formed an electric concatenation. ( page 105 ) The reader learns from this quotation mark that Dimmesdale and Hester still have a great love for each other. It is besides from this quotation mark that the A on Hester has non worked every bit good as it was intended. Hester still has a great love for the adult male with whom she had an matter and this may ne’er alter. Furthermore, her ostracism has given her clip to concentrate on her love for Dimmesdale. Here the scaffold represents Hester s involuntariness to non love Dimmesdale.
In the 3rd scaffold scene, the Hester remains unchanged. She still has her love for Dimmesdale. Shall we non run into once more? Shall we non pass our immortal life together? Surely, certainly we have ransomed one another, with all this suffering! Thou lookest far into infinity, with those bright deceasing eyes! ( page 175 ) From this last quotation mark it is once more evident that Hester and Dimmesdale still love each other. Hester, the fornicatress is contemplating passing her ageless life with her lover. The scaffold represents how ineffectual the penalty is because it does non alter Hester in any manner.
In decision, Hawthorne uses three different scaffold scenes to tag the development of Hester Prynne. The embarrassment atop the scaffold is supposed to penalize Hester and do her repent yet it does non. Hester is excessively proud and excessively strong to be hurt by the twit of others. Besides, the vermilion missive has non changed Hester s love towards Dimmesdale or her desire to be with him. The vermilion missive, like the scaffold merely portrayed the futility of the penalty.