Mamo Essay, Research Paper
MOMA
Despite suffering from a severe cold and having a sleepless night, I had an ominous premonition about the day ahead. Unable to find solace in sleep, my eyes remained open throughout the night. Eventually, it was time to rouse Majory and commence our journey to the Museum Of Modern Art. Remarkably, upon entering the museum, a sudden improvement washed over me. The museum’s radiant interior showcased exquisite paintings, photographs, and sculptures that exuded beauty and elegance.
On the second floor, Majory and I encountered a remarkable picture by Henri Rousseau from 1897 titled “The Sleeping Gypsy.” This artwork stood out to me due to its vivid colors and distinct borders. In the painting, I perceived a man sleeping while a lion sniffed him. It made me consider the equality between humans and animals, as it prompted this thought after some time. If I were to rename it, I would call it “One Kingdom, One Species.” Moving on, I then directed my attention towards Andy Warhol’s before and after painting. This piece exemplifies an ambiguous figure-ground relationship. One can perceive either a young woman against a dark background or an old woman against a light background. It proved challenging for me to see the old woman as I was attempting to see both simultaneously. For some reason, figure-ground relationships greatly intrigue me, particularly how an artist can conceal one image within another. I must have stared at this illusion for about 20 minutes.
proceedings.
While slowly walking away, I became fixated on Marcel Duchamp’s atmospheric artwork called Rotary Demisphere. The objects appeared blurry and grayish, with unique shading and depth perception. Some objects seemed closer than they actually were. There were no defined borders or contours; it seemed as if someone had splattered paint all over and then framed it. I couldn’t identify exactly what it was, but it resembled a volcanic eruption. What makes the “Rotary Demisphere” so remarkable is that it can be interpreted differently by each viewer. Afterward, Majory and I took a break and rested downstairs near the theater suites.
It’s fascinating how we both viewed the same images yet had completely different experiences. While Majory stayed downstairs, I took a break and went to the 3rd floor to appreciate “The Empire OF Light II,” a painting by Rene Magritte. This artwork has left me in awe as it is the most exquisite thing I have ever witnessed. “The Empire of Light II” showcases a striking contrast between vibrant and dark colors, evoking a sense of lightness and darkness. The painting conveys various visual cues, such as changes in color intensity that indicate depth as they come closer to me. Additionally, the parallel lines of the house and field seem to converge in the distance. Rene Magritte’s use of colors in this piece is truly extraordinary, breathing life into every brushstroke. Personally, I must admit that I am not particularly passionate about art; however, this specific artwork undoubtedly deserves all the attention it receives.
