In the wide symphony of literature, there are characters, whose histories philosophize with the chords of human heart. One such enigmatic figure, comfortably within the limits of parties of magic short story, took in a captivity a reader with his depth and difficulty. Hans Hubermann, modest spirit, appears how the symphony of resilient and sympathy, crossing his distances of the invented world. In the historical background of World War Second, the settlement of short story becomes linen for the wonderful trip of Hans Hubermann. An author skilfully hides the real identity within the limits of the tangled story, allowing to the readers to be drawn aside in his life, unaware from a theme that lies down surface. As history opens up, the rich tapestry of experiments of Hans begins to weave the story of force, love, and victim.
Person of Hans, what reminds from a kind melody, inoculated imperturbable sense to sympathy that pricks through chaos of war. His love for literature, expounded through his night reading to his accepted daughter of Liesel, becomes a metaphor for power of storytelling and his ability to quiet a human spirit between a misfortune. During a short story, collision of Hans with the young Jewish man, Max Vandenburg, inculcate a symphony to sympathy to the story. Silense operates calls and courages, that exhibits of Hans, as he hides Max in his house demonstrate resilient human spirit and capacity for the real friendship, to step over the barriers of race and religion.
Mutual Relations of Hans with Liesel open up like melodious duet, where every record of delicacy and understanding strikes a harmonious chord. As he becomes her paternal to the deputy figure, he brings up her curiosity and love for a study, authorising to her, to clash calls of life with a courage and refinement. Lying in founding of symphony of character of Hans Hubermann is the refined melody of origin. His disgust for ideology of the Nazi mode appears how the taciturn objecting against the injustice of era. From his actions and convictions, Hans personifies a concept, that a human spirit can not easily overmaster repressing zmusza.
Art form, that he reluctantly divides with the world, serves as a metaphor, that power of art stepped over the human suffering and cleating of smithy, that defy social norms. His beauty of music philosophizes with the hearts of those, who listens, remaining, mark indelible on their spirits. How new progresses, the melody of life evolves Hans in the symphony of victim. His imperturbable obligation before defense of Max and Liesel drag as far as to the large personal risk, distinguishing his depth to love and sympathy. These cannons of renunciation are an example beauty of human spirit that can flower even in the darkest from one times.
Orchestration of character of Hans Hubermann stretches on the border of short story, answering an echo in the hearts of readers, who is touched by his history. As a short story closes, readers are left with the deep meaning of connecting to this invented spirit, who personifies resilient and sympathy that lies all within the limits of us. In this literary symphony, Hans Hubermann appears how unforgettable composition of humanity and kindness. Through his trip, we are reminded, that even in the most promising circumstances, a human spirit can rise higher after misfortune with refinement and dignity.
As I close that side of wonderful story, the melody of life of Hans sits too long in my mind, inviting me to reflect upon power of sympathy resilient, and love. His history serves as too late the remark of patient beauty of human spirit and capacity for kindness, to glitter even in the darkest from one times. Often visiting his wonderful records of life prolong to answer an echo within the limits of me, reminds me about the symphony of humanity that links us fully.
