T.S. Eliot
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The Form, The Structure and The Meaning in the Preludes Analysis
T.S. Eliot
Form is the metrical and stanziac organization of a poem. T.S. Eliot write the first Prelude in a 13-line stanza. He writes the second Prelude in Cinquains. He uses 15 stanza form in Prelude three. For Prelude four he uses 9-Quatrain-Tercet. I believe that he wrote these Preludes in Traditional writting because it has metrics…
The Waste Land: T.S. Eliot’s Conception of Spring
T.S. Eliot
Every time I read the opening of Eliot’s “The Waste Land,” I am reminded of Igor Stravinsky’s The Rite of Spring. In Stravinsky’s work, the rebirth offered by spring is presented as being violent and painful, much like Eliot’s “breeding / Lilacs out of the dead land” (Eliot, lines 2-3). Indeed, the opening seven lines…
T.S. Eliot: Persuasive
T.S. Eliot
Understanding written material requires careful analysis of the society, culture, and context in which it was composed. Neglecting this can result in disregarding the work as insignificant or without meaning. T. S. Eliot, a celebrated poet during the interwar era, sought to avoid such perceptions by introducing his distinctive concepts, employing precise language, and leaving…
Fragmentation in T.S. Eliot’s The Waste Land
T.S. Eliot
T. S. Eliot wrote The Waste Land in 1921, as a response to the devastation he saw in society in the wake of World War 1. Critics at the time were divided: some believed it to be deliberately obtuse and unreadable, others “canonized the poem as the exemplar of a kind of high modernism that…
Modernism – T.S. Eliot’s Preludes Prufrock Analysis
T.S. Eliot
Modernism was the cultural movement in which innovation and experimentation of art and literature was celebrated and explored as a reaction against the formality and optimism of the preceding Victorian period. Thomas Stearns Eliot was a Modernist literary figure who contributed significantly to the movement in the early to mid 1900s. In Eliot’s “Preludes” and…
Theme of Death in the Poetry of Dylan Thomas W.B. Yeats and T.S. Eliot Analysis
Poetry
T.S. Eliot
Death has been and always will be an interesting and compelling topic among poets and authors alike. Death sheds a mysterious vale over life and is often avoided or dreaded within people causing diversity among the reactions of modern poetry and thought. Mortality can be treated as a crisis, a destination, with significance or without,…
‘The Love Song of J. Alfred Prufrock’ by T.S. Eliot Analysis
Love
T.S. Eliot
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is an early poem that showcases the irony in its title. This is a dramatic monologue where Eliot’s speaker explores the lack of love, rather than actually singing about it. The poem serves as a reflection on the disappointment of romantic relationships. The initial image…
The analysis of ”The love song of prufrock” by T.S. eliot Sample
Love
T.S. Eliot
In his verse form Eliot paints the image of an insecure adult male looking for his topographic point in society. Prufrock has fallen in with the times. and places a batch of load on societal position and category to find his individualism. He is ashamed of his personal visual aspect and looks towards societal promotion…
The analysis of the love song of prufrock by T.S. Eliot
Love
T.S. Eliot
In his poem Eliot paints the picture of an insecure man looking for his place in society. Froufrou has fallen in with the times, and places a lot of burden on social status and class to determine his individuality. He is ashamed of his personal appearance and looks towards social advancement as a way to…
Modernism- James Joyce’s ‘Eveline’ and T.S. Eliot’s ‘The Love Song of J. Alfred Prufrock Analysis
Love
T.S. Eliot
James Joyce’s ‘Eveline’ and T.S. Eliot’s ‘The Love Song of J. Alfred Prufrock’ both provide an elaborative portrayal of the modernist notions of passivity and uncertainty. The characters of Eveline and J. Alfred Prufrock are each represented as being miserable in their current lives, yet neither possesses the willingness nor courage to effect change. Joyce…
| born | September 26, 1888, St. Louis, MO |
|---|---|
| died | January 4, 1965, Kensington, London, United Kingdom |
| description | Thomas Stearns Eliot OM was a poet, essayist, publisher, playwright, literary critic and editor. Considered one of the 20th century's major poets, he is a central figure in English-language Modernist poetry. |
| books | The Waste Land 1922, The Love Song of J. Alfred Prufrock 1915, Poems 1919 |
| quotations | April is the cruellest month’. ‘This is the way the world ends’. ‘A cold coming we had of it’. ‘In my beginning is my end’. ‘Human kind cannot bear very much reality’. ‘I will show you fear in a handful of dust’. ‘I have measured out my life with coffee spoons’. |
| information | Short biography of T.S. EliotT.S. Eliot, who wrote the lyrics to “The Waste Land,” was born in 1888 in St. Louis, Missouri, to a family of New Englanders with roots in Massachusetts, who had moved westward several generations before. His mother, Charlotte Champe Stearns, was a former teacher and a social worker, who founded the Ward School for Girls in St. Louis. His father, Henry Ware Eliot, was a businessman and a president of the Hydraulic-Press Brick Company. Eliot was educated at Smith Academy, a private school for boys in St. Louis, followed by Milton Academy, a preparatory school near Boston, and then Harvard University, from which he received B.A. and M.A. degrees.Eliot began writing poetry while still a student at Milton Academy, and his first publication came in 1909, when he was twenty-one, with “A Fable for Feasters” in The Harvard Advocate. After graduating from Harvard, he studied philosophy at Merton College, Oxford, from which he received a B.Litt. degree in 1915. During his years in England, he became friends with Ezra Pound, who was to play an important role in his career, and with E. E. Cummings. In 1915, he began working as a schoolteacher, first in High Wycombe and then in Hampstead, a suburb of London. In 1917, he married Vivien Haigh-Wood, an Englishwoman whom he had met while still a student at Oxford; the marriage was not a happy one, and both Eliot and Vivien suffered from poor health. In 1925, Eliot converted to Anglicanism, and in 1927 he became a British citizen.In 1922, Eliot published The Waste Land, a long poem that was to make him famous. The poem was based on notes that he had been collecting for several years, and it was inspired in part by the breakdown of his marriage and by the suicides of his friends, Siegfried Sassoon and Wilfred Owen, during World War I. The poem was published with notes by Eliot and Pound, and it quickly established Eliot’s reputation as one of the most important poets of his generation.In the 1920s, Eliot became increasingly interested in the theater, and he wrote a number of plays, both in verse and in prose, several of which were produced in London and New York. He also wrote criticism, and in 1919, he published “Tradition and the Individual Talent,” an essay that is now considered one of the most important statements of literary modernism. In 1925, he joined the staff of Faber and Faber, a London publishing house, and he remained there for the rest of his life.In 1930, Eliot published Ash-Wednesday, a long poem that marked a change in his style, moving away from the fragmented, colloquial style of The Waste Land toward a more formal, meditative style Important informationSpouse: Valerie Eliot (m. 1957–1965), Vivienne Haigh-Wood Eliot (m. 1915–1947) Siblings: Margaret Dawes Eliot, Marian Cushing Eliot, Ada Sheffield, Theodora Sterling Eliot Parents: Henry Ware Eliot, Charlotte Champe Stearns |
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