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T.S. Eliot Essay Examples

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Fragmentation in T.S. Eliot’s The Waste Land

T.S. Eliot

Words: 2449 (10 pages)

T. S. Eliot wrote The Waste Land in 1921, as a response to the devastation he saw in society in the wake of World War 1. Critics at the time were divided: some believed it to be deliberately obtuse and unreadable, others “canonized the poem as the exemplar of a kind of high modernism that…

Modernism – T.S. Eliot’s Preludes Prufrock

T.S. Eliot

Words: 1220 (5 pages)

Modernism was the cultural movement in which innovation and experimentation of art and literature was celebrated and explored as a reaction against the formality and optimism of the preceding Victorian period. Thomas Stearns Eliot was a Modernist literary figure who contributed significantly to the movement in the early to mid 1900s. In Eliot’s “Preludes” and…

The Waste Land: T.S. Eliot’s Conception of Spring

T.S. Eliot

Words: 347 (2 pages)

Every time I read the opening of Eliot’s “The Waste Land,” I am reminded of Igor Stravinsky’s The Rite of Spring. In Stravinsky’s work, the rebirth offered by spring is presented as being violent and painful, much like Eliot’s “breeding / Lilacs out of the dead land” (Eliot, lines 2-3). Indeed, the opening seven lines…

The Form, The Structure and The Meaning in the Preludes

T.S. Eliot

Words: 342 (2 pages)

Form is the metrical and stanziac organization of a poem. T.S. Eliot write the first Prelude in a 13-line stanza. He writes the second Prelude in Cinquains. He uses 15 stanza form in Prelude three. For Prelude four he uses 9-Quatrain-Tercet. I believe that he wrote these Preludes in Traditional writting because it has metrics…

Modernism- James Joyce’s ‘Eveline’ and T.S. Eliot’s ‘The Love Song of J. Alfred Prufrock


T.S. Eliot

Words: 711 (3 pages)

James Joyce’s ‘Eveline’ and T.S. Eliot’s ‘The Love Song of J. Alfred Prufrock’ both provide an elaborative portrayal of the modernist notions of passivity and uncertainty. The characters of Eveline and J. Alfred Prufrock are each represented as being miserable in their current lives, yet neither possesses the willingness nor courage to effect change. Joyce…

Theme of Death in the Poetry of Dylan Thomas W.B. Yeats and T.S. Eliot


T.S. Eliot

Words: 2815 (12 pages)

Death has been and always will be an interesting and compelling topic among poets and authors alike. Death sheds a mysterious vale over life and is often avoided or dreaded within people causing diversity among the reactions of modern poetry and thought. Mortality can be treated as a crisis, a destination, with significance or without,…

‘The Love Song of J. Alfred Prufrock’ by T.S. Eliot


T.S. Eliot

Words: 1387 (6 pages)

The ironic character of “The Love Song of J. Alfred Prufrock,” an early poem by T.S. Eliot (1888-1965) in the form of a dramatic monologue, is introduced in its title. Eliot is talking, through his speaker, about the absence of love, and the poem, so far from being a “song,” is a meditation on the…

T.S. Eliot: Persuasive

T.S. Eliot

Words: 1329 (6 pages)

A reader must attempt to delve deeper and study the context of society, culture, and that of the writer at the time of composition, or they will interpret and push away composed material s meaningless ‘mambo-jumbo’ – which is what works by poets like T. S. Eliot striver to avoid. T. S. Eliot was the…

The analysis of the love song of prufrock by T.S. Eliot


T.S. Eliot

Words: 1255 (6 pages)

In his poem Eliot paints the picture of an insecure man looking for his place in society. Froufrou has fallen in with the times, and places a lot of burden on social status and class to determine his individuality. He is ashamed of his personal appearance and looks towards social advancement as a way to…

The analysis of ”The love song of prufrock” by T.S. eliot Sample


T.S. Eliot

Words: 1340 (6 pages)

In his verse form Eliot paints the image of an insecure adult male looking for his topographic point in society. Prufrock has fallen in with the times. and places a batch of load on societal position and category to find his individualism. He is ashamed of his personal visual aspect and looks towards societal promotion…


September 26, 1888, St. Louis, MO


January 4, 1965, Kensington, London, United Kingdom


Thomas Stearns Eliot OM was a poet, essayist, publisher, playwright, literary critic and editor. Considered one of the 20th century's major poets, he is a central figure in English-language Modernist poetry.


The Waste Land 1922, The Love Song of J. Alfred Prufrock 1915, Poems 1919


April is the cruellest month’. ‘This is the way the world ends’. ‘A cold coming we had of it’. ‘In my beginning is my end’. ‘Human kind cannot bear very much reality’. ‘I will show you fear in a handful of dust’. ‘I have measured out my life with coffee spoons’.


Spouse: Valerie Eliot (m. 1957–1965), Vivienne Haigh-Wood Eliot (m. 1915–1947)

Siblings: Margaret Dawes Eliot, Marian Cushing Eliot, Ada Sheffield, Theodora Sterling Eliot

Parents: Henry Ware Eliot, Charlotte Champe Stearns

Frequently Asked Questions about T.S. Eliot

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What is Eliot's concept of tradition?
Tradition, according to Eliot, is that part of living culture inherited from the past and functioning in the formation of the present. Eliot maintains that tradition is bound up with historical sense, which is a perception that the past is not something lost and invalid.
What is T.S. Eliot most known for?
Eliot was an American-English poet, playwright, literary critic, and editor. He is best known as a leader of the Modernist movement in poetry and as the author of such works as The Waste Land (1922) and Four Quartets (1943).

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