Power And Glory Research Paper I Essay

Power And Glory Essay, Research Paper

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I- debut II- Puting A - Power And Glory Research Paper I Essay introduction. How scene shows the chief subject 1. the gaol

scene 2. the going scenes III- Symbolism A. How symbolism shows the chief

subject 1. spirits B. How characters show symbolism 1. a quotation mark IV & # 8211 ; Characters A.

How characters show the chief subject 1. The lieutenant 2. Brigitta 3. The ladino

B. Minor characters 1. Mr. and Mrs. Fellow, Mr. Tench 2. Towns people V & # 8211 ; Theme

A. What makes up the chief subject 1. Puting 2. Fictional characters 3. Symbolism B. A quotation mark

from a book VI & # 8211 ; Conclusion In the novel? The Power and the Glory? , Graham

Greene uses the elements of fiction to demo a chief subject. Some of the elements

he uses are them, characters, symbolism, and puting. The manner Greene uses these

elements to demo a chief subject for his novel, is really good. The elements come

together to demo the subject, which is commiseration. Pity for a fellow human being.

Puting is a major component of fiction. The scene of a piece of literature can

put the temper of the scene. Puting, can besides do the reader experience a certain manner.

Some of the scenes in? The Power and the Glory? evoke certain feelings in

the reader. In the scene when the whisky priest was put the crowded gaol, for

holding liquor on him, Greene makes the scene so atrocious that you can? t aid

but experience sorry for the priest. As Kenneth Allott said, ? The crowded spiritual world

figures in the dark seem like forms from a Dore hell. ? ( 182 ) . In the scenes

when the priest is going from town to town, the scene is really unsmooth.

Through dense woods and complete darkness, he travels and once more, the reader

feels commiseration for person he doesn? T know but feels connected to because of being

human. As Kenneth Allott said, ? There is a blanketing sense of inhuman treatment? s

ubiquity & # 8230 ; and really often this temper is symbolized by a peculiar

background of sordidness & # 8230 ; ? ( 15 ) . Some critics think that the novel is? a

melodramatic thriller about a police officer trailing a priest, romanticized by its

spiritual significance and its alien Mexican setting. ? ( Pryce-Jones, 58 ) .

Another of import component of fiction is symbolism. Symbolism in a novel can

convey some penetration to what its subject might be. A batch of the characters,

ambiances, and objects contain symbolism in the novel. The spirits that the

priest is imbibing is extremely symbolic. It is a symbol of how the priest commiserations

himself. He feels his life is non deserving much, so he drinks. He makes himself

feel worthless. Neil McEwan said, ? The novel steadfastly connects the solaces

of intoxicant and faith & # 8230 ; those who need to stamp down both have cut themselves

off from suffering. ? ( 59 ) . That statement shows the priests commiseration on himself.

Another symbol in the novel is the scene in the gaol. This is a symbol of the

priests lose of religion. He feels as if his life has no more significance and he might

every bit good give up. Fictional characters are besides symbolic in the book. As Allott said,

? There is a sense in which other characters in the book can be regarded as

symbols & # 8230 ; ? ( 174 ) . A fresh wouldn? t be complete without characters. And,

characters in? The Power and the Glory? play an of import function to arouse commiseration

for the priest. First is the Lieutenant, whose grim chase of the priest

makes you commiseration him. The lieutenant even starts to kill guiltless people in hopes

to happen the priest. You can non assist but experience sorry for the priest because of

the lieutenant. Another character in the novel is Brigitta. Brigitta is the

kid of the priest, who evidently is illicit. The priest wants severely to

love the kid, but he can? t. He is caught between his ch

ild and the wickedness he

has committed. She besides, & # 8230 ; ? Stands for the early corruptness of

innocence. ? ( Alott, 174 ) . This alone makes us feel for the hapless whiskey priest.

Another character in the novel is the ladino. The ladino, who follows the

priest to turn him in for a wages and so to acquire him to bless a death

condemnable, represents a & # 8230 ; ? Judas figure & # 8230 ; ? ( McEwan, 92 ) . We pity the priest

even more because the ladino is after him merely like the lieutenant does. He

represents? & # 8230 ; evil and perfidy & # 8230 ; ? ( Alott,174 ) . Some little characters play

an of import function in the novel. The people in the towns, who have rejected the

priest in fright of being killed, makes us feel for the priest because of their Acts of the Apostless

of rejection. Mr. Fench, Mr. Fellows, and Mrs.Fellows, all show that most of

humanity has given up hope. John Atkins said, ? Mrs.Fellows knew that decease was

coming nearer, and that she lived in a graveyard & # 8230 ; ? ( 182 ) . These are the people

who the priest is seeking to salvage, non himself. This is why we pity him. He is

seeking to salvage people who do non desire to be saved. The priest can go forth the

province and be safe, but he chooses to remain and seek to salvage them. This finally

leads to his decease. He seek? s to salvage a condemnable, but it ends up to be a trap.

This is why we finally pity him, because he knows he is being set-up, but he

gives in because he is tiered of running. He has given up hope. Theme is another

of import component of fiction. There has been many subjects that people have put to

? The Power and Glory? . Some of them include life, decease, faith, wickedness,

political relations, and everything else you can believe of. Pity is a major subject to this

book. Greene uses all the elements of fiction to demo this. The characters,

scene, and symbolism all show the cosmopolitan subject of commiseration. All of these

elements show commiseration for the priest as Kenneth Allott said best, The

whiskey-priest is driven to transgress and desperation ; he is made to lose everyplace

? something he had hoped to maintain? . After the dark in prison, when his

deal with God reveals his misgiving, his find of devastation in the

Chaps? house signifies his entry into a religious desert ; the comparative

composure of his visit with the Lehrs is the stagnation of self-deceit ; his return

with the ladino to the banana plantation represents his heroic reawakening to

responsibility. But, there is no operatic expansive coda. The sufferer does non decease in a blazing

of religion. He goes out wretchedly, smelling of the brandy which he has failed to

drown his fright, with an tremendous sense of anticlimax and a feeling that he has

? missed felicity by seconds at an appointive topographic point? . The universe ends- it is

the lone imaginable ending- ? non with a knock but with a whine. ? & # 8230 ; ( 193 )

This quotation mark, though long, shows precisely why we pity the priest, and why commiseration is

the chief subject of the novel. The novel? The power and the Glory? , by Graham

Greene writes with the elements of fiction. He uses them to demo a chief subject in

his novel. The elements come together to demo a chief subject of commiseration.

Allott, Kenneth. ? Art of Graham Greene? 1963 there is no publication

information due to the fact that the pages were ripped out from the book Atkins,

John. ? Altogether Amons: A reconsideration of The power and the Glory. ? From

? Graham Greene ; some critical considerations. ? Evans, Robert Owen Again,

there is no printing information due to the pages being ripped out. McEwan,

Neil? Modern Novelists: Graham Greene. ? General editor: Norman Page. The

Macmillisn Press Ltd. London, 1988 Pryce-Jones, David. ? Graham Greene. ?

Oliver and Boyd LTD New York 1967

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