The chief characters in the book “Trash” by Andy Mulligan are introduced as Raphael Fernandez and Gardo. Gardo was born six hours in front of Raphael. Even though they are non brothers. Gardo looks out for Raphael. He is more reinforced with musculus while Raphael on the other manus. is skinnier and smaller. They support each other’s determinations and are at that place for each through midst and thin. Both their personalities are filled with bravery and doggedness. Raphael’s Auntie is another chief character in the narrative and is first chiefly introduced when the constabulary talk to them if they had seen a pocketbook anyplace while switching through the hemorrhoids at the garbage dump.
She is really protective and is a immense portion of Raphael’s merely household besides Gardo. Auntie was one time charged from the constabulary and had a bad repute with them. She will ever set Raphael and Gardo foremost earlier maintiaing her wellness and issues. Rat besides plays a critical function in “Trash” as he helps to uncover untold secrets from the history of the pocketbook. He is foremost introduced when Raphael and Gardo ask Rat to conceal the pocketbook for them unless the constabulary of all time come spying through Raphael’s three -story house. Rat’s existent name is Jun-Jun.
He is a younger male child that is three or four old ages younger than Raphael and Gardo. he was given the moniker “Rat” because he used to populate with rats and had come to look like one with a a adenoidal face. He was besides one of the male childs in Behala that Raphael knew of who didn’t have any household. Settings There are several scenes that take topographic point in the fresh “Trash” by Andy Mulligan. All scenes take topographic point in Behala. which is a really hapless metropolis that holds Mission Schools for childs with no place and/or instruction. It is a topographic point where non many offenses take topographic point and where pesos are non given out for free.
The garbage dump is where all the characters work to merchandise in re-usable rubbish such as composition board. used pens. plastic. rubber etc. to gain pesos. Another scene is Raphael’s place. He lives a little higher compared to the others that attend the Mission School. It’s two suites built out of truck palettes. dust. canvas and chiefly fictile maintaining it stable and together. His house is stacked over three other households below. In Raphael’s house. he shops his rubbish souvenirs inside a beer crate. In the beer crate. he hides the pocketbook with the billfold and the key.
A smaller wedged scene was Rat’s hole where he lived. Here. Raphael and Gardo asked him if they could conceal the pocketbook at that place until the whole state of affairs calms down and the constabulary lose their forbearance and make up one’s mind to give up. A more normally known scene that takes topographic point in “Trash” was the Central Train Station. Here. Rat was able to place the key from the billfold as a cabinet key to hints from Jose Angelico. After opening the cabinet. they had taken an envelope dedicated to a captive and was chased out of the station by two security guards.
The last scene that takes topographic point in “Trash” was the Behalian Police Station. Here. Raphael. Gardo. and Rat were meant to be taken into oppugning for all their logical thinking behind it. Alternatively. the officers split up Gardo. Raphael and Rat into three different suites with merely a chair. tabular array. and lavatory. non excessively long after. Auntie surprisingly shows up with keys in the purpose of get awaying. As she unlocked every door and released the three male childs. the four were ne’er to be seen once more.