Poem Analysis Derek Walcott

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Summary

The poem Closest at Lampfall by Derek Walcott explores the beauty and darkness of the ocean. The first verse is metaphorical and lyrical, comparing the ocean’s quarrelling to different things. The language is emotive and the overall tone is melancholic and mysterious. The second verse is darker in tone and speaks of the evils inside the ocean and how the poet is hooked by it. The third verse is eery and poetic, speaking of the dark depths of the mind and the ocean. The poem evokes a sense of wonder and fear towards the ocean and the depths of the human mind.

Table of Content

Closest at lampfall Like children, like the moth-flame metaphor, The Coleman’s humming jet at the sea’s edge A tuning fork for our still family choir Like Joseph Wright of Derby’s astrological lecture Casts rings of benediction round the aged. I never tired of ocean’s quarrelling, Its silence, its raw voice, Nor of these half-lit, windy leaves, gesticulating higher “Rejoice, rejoice… “

Language/Style/Tone in first verse : metaphorical ( like children,moth flame metaphor), melifilious (it flows,easy to read) Descriptive and comparing ( using examples Joseph wright) Lyrical ( Rejoice Rejoice) . The language is also emotive as the poet is speaking about his personal feelings towards the ocean „ i never tire of the oceans quarelling“. The overall tone of the poem is melancholic and mysterious, especially as they are dealing with the ocean and its beauty.

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Content : This particular verse focuses on comparing the oceans quarelling to different things: the first few lines are example of what the quarelling ocean reminds him of such as : the colemans humming jet at the sea’s edge or a tuning fork for our family choir) As the verse progresses the poet talks about the beauty of the ocean „ its silence,raw voice“ The ending rejoice rejoice leads us to believe that the ocean is a positive source and evokes positive feelings for the poet as rejoice is used in happy/thankful situations. V2: But there’s an old fish, a monster Of primal fiction that drives barrelling

Undersea, too old to make a splash, To which I’m hooked! Language/Style : Tone : Suspense, Dark in comparison to the first verse. Language/Style :sudden, fast paced, raises questions, short snappy sentences ( theres a word for that but i forgot?! ) Lots of punctation is used, as if telling an exciting story. Content: Speaks of the evils inside the ocean can be seen as a reflection of the evils found within. Speaks about how the poet is „hooked“ captured by this evils. Although it is harmeless „ too old to make a splash“ it is still evident and causes physcological destruction one can assume. I would see it as your mind haunting you.

V3: Through daydream, through nightmare trolling Me so deep that no lights flash There but the plankton’s drifting, phosphorescent stars. Language: Poetic (use of stars) Eery ( So deep that no lights flash) Flowing(meliflicious) Narrative( speaking in first person, telling a story) Content: Speaking of the dark depths of humans, that are obtained throughout the day or at night ( daydream. nightmare) , the mind is able to have thoughts so dark and obtuse that noone has wondered there before ( no lights flash) They have reached the bottom of their mind aswell as the bottom of the ocean where there is nothing „ but planktons drifting“

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