At first, some did not believe the left arm, which was found with the sculpture but clearly not attached, was not in fact part of the sculpture. It seemed to have a rougher appearance than the rest of the graceful and beautifully crafted sculptor, but is now lost forever. The sculptor is graceful with the classic S-shape known as contrasts with the uneven distribution of weight among the body. While viewing the piece, you get the sense of realism because of its relaxed appearance and human body language.
In the piece, naturalism is used in the body with the soft squishy appeal of the skin as if you could touch it and it would be real. The sculptor also has the correct proportions of the body time and the detail of the drapery. Antioch used Pariah marble to construct the figure and create the smooth finish. It was found in two separate pieces, one being the torso and above and the other being the legs.
Venus De Mill is meant to be seen at all angles because she is a complete rendition of Aphrodite, making her a sculptor that can be circled in the Lour
Museum in Paris where she has stayed since her discovery. Aphrodite is the goddess of love and beauty and essentially the goddess of sex. It is shocking to see the depiction of such a goddess in a vulnerable and modest way. The drapery is almost ready to fall right off her, and if her arms were still attached to her we would note that her right arm would be trying to hold the drapery up and around her almost Antioch was representing Aphrodite in a very human way; a goddess would never be caught by surprise or react in a modest way. It gives the viewer a sense of relation to such an dollied being.
If there was not any drapery, the whole impression and emotion of the piece would be different. Aphrodite would be represented in her fully nude figure and portraying her true goddess standings. The Hellenic time period came after the High Classical and Late Classical Greek sculpture time. Venus De Mill is surely influenced from those time periods and it is seen through the S-shape of her body and the serene relaxed look on her face. Hellenize is featured with the difference between the soft skin of Aphrodite torso and the rough drapery covering her legs.
Cite this Review of Venus De Milo by Alexandros of Antioch
Review of Venus De Milo by Alexandros of Antioch. (2018, Mar 23). Retrieved from https://graduateway.com/venus-de-mill/