A first sight, “ Pride and Prejudice ” seems to be a novel about first feelings, but the truth of the affair is that this novel of five-hundred something pages goes farther, because its chief effort is to uncover the changeless captivation of the nineteenth century British society in being person in life utilizing societal standing, wealth, and of class matrimony. With this premiss, this novel of manners shows us a big fan of adult females, who are the representation of that epoch, an epoch hungry of female revolution.
However, it was non a wholly dispersed idea ; if we analyze this book we are traveling to be surprised with a novel that in its first half shrieks for a alteration sing adult females, but in its 2nd half that position alterations in a jaw-dropping manner, because at the terminal all adult females wanted that “ novel-esque ” fairy narrative, with a happy prince in a glistening armour. I will follow this thought with the premise that Austen wanted to alter the position of the female character or, in other words, how existent is the fact that adult females wanted different things for their lives, because if we make a 2nd reading we can subtract that all the females inside the novel, for better or worse, wanted to make the same end: stableness in all its sense.
Economic stableness would better their life styles and emotional stableness would allow them believe about what they truly want. At the terminal of the twenty-four hours, the alleged female revolution that made this novel so celebrated is non so radical, because the chief character of this book ( Elizabeth Bennet ) was a brave miss with a different manner of believing about life and society, but she ended merely like the misss of that epoch, get marrieding a affluent adult male, trusting to populate merrily of all time after, so the inquiry is the undermentioned: How radical were the Bennet misss, in order to follow their ends in life? Were those ends more of import than being married with the adult male of their dreams?
Along these pages I will analyse how those females originals were developed in order to follow their dreams, making whatever it takes to do it, or in other instances utilizing denial as a method of self-convincement, to avoid the dream of being the perfect homemaker alternatively of being a ground-breaking theoretical account for a conservative society, who expected minimal things in relation to adult females.
With Pride and Prejudice, Jane Austen wanted to set on treatment the moral rightness of the British high society, but more than that, Austen made a referent about how relationships worked in that clip, and how unhappily those same forms of two centuries ago are still staying, because in our society there are many misss with that same Lizzie Bennet attitude of “ I ‘m non traveling to be like the remainder ” , but want the same, merely like all of us: to love and to be loved. Just like the beginning of the book -It is a truth universally acknowledged, that a individual adult male in ownership of a good luck, must be in privation of a wife- and merely like in our yearss, human relationships are led with that premiss that being individual and experiencing pleased with that singlehood is an effort against household, moral, and society.
So following that premiss could be that all of us are wild cats waiting to be tamed? Or could it be that, merely like the work forces of the novel, we are the 1s that want to chasten those vixens?
Inside the universe of this novel, my focal point is on the females, because they changed from femme fatales to lovely married womans, and that alteration is really astonishing, particularly in the instance of the Bennets, who were bangers, and more specifically Lydia, who was my favourite character of the novel because of her mischievousness. But before Lydia it was Elizabeth, a smart miss who was charmed with the hot and cold tenseness of a really chesty Fitzwilliam Darcy who was eventually the hero, the today ‘s equivalent of Edward Cullen of the Twilight saga, because he was have oning an armour that protected him from a life full of enduring, thanks to his naA?ve sister Georgiana, his major concern. And that attitude of yet sensitive adult male is still a magnet for the female genre. Continuing with Lizzie ‘s quandary with her on and off tenseness with Darcy, the attractive force was undeniable, but the judgmental head of Lizzie was her worst enemy. Her attitude was in some minutes the dynamo that created a batch of awkward state of affairss even for her, because her alleged engagement or in other words their rapid “ friendly relationship ” with George Wickham was merely an alibi to bury Darcy after his intermission in the relationship of Mr. Bingley with her sister Jane, and that determination cost her falling in the claws of an ambitious marauder that her small sister Lydia caught him utilizing her audaciousness and playing her cards really good, turning the marauder into the quarry. Returning to Lizzie ‘s loath attitude against Darcy, it was in some minutes raging and missing of statements, because Darcy saves her sister ‘s award to win Lizzie ‘s bosom and after that baronial act, Elizabeth fell at his pess about instantly, but what about earlier? What about the full scene about Georgiana, judging Darcy of being a prevaricator, because he was involved with Georgiana, who as I wrote before, was her sister? It is a fact that Darcy was chesty at first sight, but Bennet was it every bit good, but that attitude was the perfect spice to do this twosome perfectly perfect for each other, because Elizabeth wanted for her the same of her sisters, acquiring married and being happy. Nevertheless, she invariably denied that fact, avoiding the issue of matrimony ; she was merely waiting for Mr. Right, that particular adult male that every adult female wants. For that ground, merely like her sister, she attended to balls, demoing her coquettish side in order to wait or acquire a Mr. Right, which is a immense contradiction of her statement. I could sound a spot barbarous but her tomboy attitude ne’er overshadowed her calendered feminine nature. Following the thought of waiting for the right one, that impression exists merely in novels or in soap-operas and unhappily for the remainder of the Bennet kin, that fact was the thrust of Elizabeth to avoid committedness and make a son-like bond with her male parent. That close relationship was a shield for her, a shelter that protected her from enduring for love, but it was non stronger adequate to protect her from the enchantment of Darcy, because Lizzie confessed to her pa her true feelings about Darcy and her pa, the ever relaxed, Mr. Bennet merely advised her to follow her bosom, a thing that this immature miss ne’er did until she figured out that she could non contend against love.
In contrast with her attitude, there was her sister Jane, who was the entire antonym. She was sweeter, shyer, but non as “ clever ” than her sister Elizabeth. Jane was the portrayal of a good married woman and she represented all the things that Elizabeth despised about adult females of that age, because Jane was the miss who was waiting for a good adult male to take her as his married woman and stating that she was willing to “ give herself ” in order to salvage her household, but acquiring married with a charming and sometimes dense Charles Bingley was non so bad as her younger sister portrayed it, because flickers flied when those two met each other, but unhappily for Jane, Mr. Darcy ‘s intervention about be them their matrimony.
This inappropriate intermission was meant to protect his friend from a “ hypocrite adult female ” that did non experience the same, but in the terminal it that was merely a bias of Darcy against adult females, particularly against the Bennet misss, because his construct of love was stained after his sister escaped with the narrative ‘s Casanova: George Wickham. It must be considered that during the fresh Darcy explained that impression of misgiving stating that in some occasions he was kinder with Bingley than with himself, presuming the fact that Bingley was non smart plenty to do the right picks.
Forgeting about the most incompatible ladies of the Bennet cortege, I am traveling to foreground who, in my low sentiment, was the smartest and the best character of the Bennet household: Lydia. With merely 15 old ages old, this small coquette proved to be brighter than her sisters, because she had a really clear end in life ; she wanted a hubby that would do Elizabeth to make non esteem her so much, because of her frivolous end, it is of import to advert that Kitty suffered from the same discourtesy from her sister as good. Retuning with Lydia, she ever desired that Lizzie suffered from jealousy onslaughts, because her sister disposed of so many work forces, and she merely wanted to be old adequate to be courted by high society work forces, and she ever complained, along with Kitty, about how her sister Lizzie avoided the issue of matrimony, cutting their opportunities of being eligible bachelor girls. But this frivolous and froward small lady ( the expletive of the Bennet misss ) was ready for bigger and better things, because she wanted a hubby by any agencies necessary, that is why her favourite activity was socialising, specially with the Meryton officers, and that alleged frivolous act made her ballad her eyes in Mr. Wickham. She did non believe it twice and she ran off with him, go forthing all buttocks, because she wanted so urgently to be with a adult male that she did non care about anything else. After this brainsick rendezvous, this wild kid did non experience any compunction of action and even worse, she was so disquieted of fring his capturing adult male that she overlooked the fact that her repute was destroyed after her adventure with George. In fact, she uses that state of affairs as a hook to attach her adult male with her, and eventually she hitches Wickham and they pretended to be a happy twosome, after a secret intercession of Darcy which included money. We have to see that Wickham ‘s calling was at interest, given that Mrs. Bennet put force per unit area on Wickham ‘s officer to do them return because her girl ‘s repute was profoundly damaged. The funny and amusing thing was that Lydia knew the agreement and one time once more she did non care, she even acted as she had the perfect matrimony, and besides she flaunted her matrimony with her sisters, because they should be covetous. That frivolous attitude of Lydia is perfectly bewitching, because she was trapped in a fixed relation and she did non care merely because the lone thing that she wanted was to be married with a wealthy and fine-looking adult male and she nailed it absolutely.
Lydia was my favourite character because she was the lone genuinely honorable character of the book. This small miss was unblushing, but at least she was existent, she did non conceal her feelings and did non experience a pinch of embarrassment with her actions, and that is the attitude of a existent modern miss, unlike Elizabeth who was seeking to halt the unstoppable, and deny the undeniable.
Following with the femme fatales, the following 1 is Lady Catherine de Bourgh, who was the existent adversary of book, the cold blooded adult female that wanted to rupture our perfect couple apart, but beneath that surface, this adult females was the existent illustration of the upper category of British society of the 19 century, because she embraced to the fact that matrimonies were agreements in order to keep a dynasty, and non a brotherhood of feelings, because “ love comes after ” . That prehistoric attitude is still present in our yearss, because some adult females think in that chauvinist manner and de Bourgh is one of her most characteristic referents.
Lady Catherine was a dominant female thanks to her luck ; she ever disliked the Bennets because of their ill-famed deficiency of manners. She besides was an antique adult female that did non let the breakage of an already fixed brotherhood and for that ground this fearful lady faced Elizabeth, in order to firmly maintain her really far from Darcy to do his intended agreement with her girl Anne.
Another Female that represented this old fashioned idea was Elizabeth ‘s best friend Charlotte, who was “ the hapless small miss ” that had to get married a adult male at any cost, because her household depended on that brotherhood, and besides because she had non any clear aspirations because of her age. This could sound eldritch from person who adores that attitude in Lydia, but honestly Lydia had a thrust, while Charlotte merely had the thought of flight of her suffering and alone life, so she took the easy manner and tied the knots with the horrid Mr. Collins, Lady Catherine ‘s protegee.
Finally the last adult female that I want to set on the hot place is Mrs. Bennet, because she was the illustration of a societal climber. The lone thing that she wanted was her household to emerge from the “ ashes of poorness ” and lift as a esteemed household, and her method to do this was utilizing her girls as affluent work forces come-on, because the fact of non holding a boy was an hindrance to inherit the household trust fund of luck. This is the ground why this dramatic lady put all her purposes in get marrieding their senior misss ( Jane and Elizabeth ) with some gentlemen of an accommodated household. Her aspiration was so high that she did non doubt in offering Lizzie as a married woman to Mr. Collins, thought that her hubby refused, doing immense letdown and deep sorrow in her, because she figured out that her adult male was non traveling to assist her in her thought of get marrieding their girls with random cats whose chief property was being loaded of goods. Even worst, in some minute I had the impression that her hubby, Mr. Bennet, did non esteem her so much since he ever questioned her determinations. A funny facet of this lady was her dramatic attitude, because she ever abused of her palpitations and shudders in order to acquire attending of her household, but unhappily for her, their girls felt embarrassment of their shockable and “ excitable ” female parent.
Her public manners were ugly, and that behaviour was non something for their girls to be proud of, excepting the small girls Kitty and Lydia, specially the latter, who was her favourite, given the fact that she was merely like her, a individual with hungriness for more wealths and a higher degree in the societal ladder, and shallower than a dust-covered piece of furniture.
After depicting all the characters that I have picked to back up my thought of female originals, the lone thing left in this essay is replying the inquiry: are those adult females symbols of a female revolution? Are those ladies illustrations of ferocity? It might sound a spot rough, but the reply to these inquiries is, in my sentiment, a categorical no, because this novel was non a ground-breaking component to promote the female revolution. In fact, “ Pride and Prejudice ” was a good protagonist of future female-focused faery narratives because of the manner that Austen put her characters to play, utilizing the old Shakespearean ensemble of Midnight ‘s summer dreams, which was fundamentally consisted in making relationships between uneven characters. So the construct of revolutionized adult females was non expressed in the book ; it even showed a wholly different construct, because Austen played with the premiss of “ true love discoveries you in the terminal ” .
Those ladies were portrayals of all the adult females of that epoch, they showed the life style of an oppressing age for adult females, but the turn was that Jane Austen portrayed adult females as powerful participants in the game of love. She besides put her attempt in regenerating the function of adult females in the London scene, because her purpose was put to adult females in a place of power-holders, and determination shapers. More significantly, she put adult females as the proprietors of their fate, constructing their ain narrative establishing it on their determinations. However, if we talk about a female revolution, the construct is misused, because “ Pride and Prejudice ” was non a narrative about adult females contending for her rights, but instead a love-story which sets the parametric quantities of our current authorship, chiefly due to the love trigons, the cliche of falling under the enchantment of the unthinkable work forces. It can non be denied the fact that these elements put this book in the shelves of an all-time female classic. It is a fresh which makes you smell muliebrity on it when you open it, and that characteristic makes this book resistless to read and sometimes a guilty pleasance. Sadly, I can non state that the termagants were tame, because in the terminal they were non shrews nor hell cats ; they were merely small kitties which used their crisp claws in order to acquire what they wanted or merely to support her position against the universe. But that does non intend that they were soft, and merely like the old phrase, I have really clear that even the smaller roses have irritants.
Cite this Female Characters Of Pride And Prejudice English Literature Essay
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