From Classical Hollywood to New Hollywood

The films Rebel Without a Cause and Bonnie and Clyde offer two premier illustrations of the difference between “Old Hollywood” and “New Hollywood. ” Rebel Without a Cause was released in 1958 and. although it pushed the envelope for films at that clip. it still was really much a word picture of “Old Hollywood. ” Bonnie and Clyde released in 1967 was one of the first movies of “New Hollywood” in that its manner. moving and plot line moved it into a new coevals of filmmaking.

In this paper I will analyse these two movies and contrast their different manners and besides demo how Bonnie and Clyde set a new criterion in the filmmaking industry. I will besides look at readings from category and draw from them in order to endorse up my treatment. Rebel Without a Cause ( Old Hollywood ) “If I had one twenty-four hours when I didn’t have to be all baffled and I didn’t have to experience that I was ashamed of everything. If I felt that I belonged someplace. You know? ” ( Rebel Without a Cause. 1958 ) . This quotation mark was from the supporter Jim Stark who is a 17 twelvemonth old whose parents merely moved to Los Angeles.

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His parent’s battle frequently in forepart of him and his female parent is really tyrannizing toward his male parent and Jim doesn’t like this. He feels his pa is non adult male adequate to stand up for himself and he sees him as being hebdomad. Even though his male parent loves him a batch and shows him fondness. Jim wishes he was more of a adult male. Throughout the film he tries to state him that he needs to merely stand up for himself and put a good illustration for his boy. but his male parent doesn’t acquire it. He’s merely excessively used to being bullied around by his female parent. Jim even goes so far as to state that he ne’er wants to stop up like his male parent.

This was merely one of the many movies during the 1950ss that depicted the young person of America as being insubordinate and non holding the same moral make-up as past coevalss. This movie besides looks at rearing manners and how they affect the young person at that clip. The chief character Jim continuously gets into problem as a consequence of his confusion and withdrawal from his parents. The manner in which the movie was made goes right along with what was being done in that epoch. The playing. at times. was really over dramatic and the duologue was thin and really “clean” .

The high school childs were rebellious and got into battles. but there is really small blood and the discourse was really civil. Up until the 1950ss. the film concern had grown exponentially and was dominated by approximately eight different studios located in Los Angeles. Small budget movies were being made at the clip but wouldn’t make money merely because the “Giants” had all the endowment and money to bring forth large-scale productions. At that clip it was besides accepted that the larger the sum of money put into a movie. the more it would do.

It was published to the public sums that were invested into the movies ( Maltby. 113 – 125 ) . In the postwar period. the foreign market became an even more of import beginning of income to Hollywood. By the early 1960’s foreign gross revenues generated about half of the majors’ revenues…but alternatively of conveying European stars to Hollywood. American production migrated abroad ( Maltby. 127 ) . So portion of “New Hollywood” was it’s presence abroad and really filming and bring forthing movies in foreign states. However. non many were ready for the film that. in kernel. changed how filmmaking was done.

Bonnie and Clyde ( New Hollywood ) “This here’s Miss Bonnie Parker. I’m Clyde Barrow. We rob Bankss. ” ( Bonnie and Clyde. 1967 ) . Directly influenced by the “French New Wave” manner of filming. Bonnie and Clyde broke all of the regulations associated with “Old Hollywood” . The movie portrayed sex and force on a in writing degree non truly of all time seen before. And. although. the film started out as kind of a comedy. it rapidly turned dark as the force began. Many different social tabu were broken sing sex and force.

This new manner besides included a more “real” signifier of shooting in that it was more in writing and the shooting itself was more jerky. The comedic manner that it depicted force along with its rapidly switching tone toward the dark side of force was something new at the clip. Since the production of Bonnie and Clyde many others followed suit in its open show of sex and force in the films. “The feeling created is one of restlessness. uneasiness and a tangible sense of sexual hungriness and longing” ( King. 12 ) . Clyde is a stealer that meets up with Bonnie while he’s seeking to steal her mother’s auto.

She falls in love with him and they go on a bank-robbing fling together. As they get better at what they do. the degree of force is escalated and the sum of Gore depicted in the movie rises. Sexual overtones are changeless and this full construct of lauding sex and force on movie was trade name new at the clip. During the late 1950ss and 1960ss. times were disruptive in America and Hollywood film reflected that. Making connexions between Hollywood films and the times in which they appear is non every bit straightforward a concern as it might frequently look.

Sometimes. nevertheless. the instance seems more clear-cut ; the times are such that they appear to enforce themselves forcefully on our consciousness. unmistakably occupying the terrain of popular amusement such as Hollywood film ( King. 14 ) . Because of societal events and calamities that were taking topographic point in that epoch such as the Kennedy blackwashs. the blackwashs of Martin Luther King Jr. and Malcolm X. people were hankering for movies that helped show how they were experiencing. Decision

Both films were heroic images that were preserved in the United States Library of Congress’s National Film Registry and even though their release day of the months were merely 12 old ages apart. watching them makes you experience as if they were made in wholly different epochs – which. in fact. they were. Rebel Without a Cause. arguably James Dean’s best movie. kind of represents the artlessness of America at that clip. You feel as if you are watching something that would be rated G today. or would be on the Disney Channel. Bonnie and Clyde represented the way that America was traveling in.

Peoples might non hold been ready for it at the clip. nevertheless. they went to the theatres in drones to see it. It was the start of a trade name new epoch in filmmaking and stands to be one of the laminitiss. if non the laminitis. of New Hollywood today. Works Cited Bonnie and Clyde: Memorable Quotation marks. ( 1967 ) . Retrieved from hypertext transfer protocol: //www. imdb. com/title/tt0061418/quotes King. G. ( 2002 ) . New Hollywood Cinema: An Introduction. New York: I. B. Tauris & A ; Co Ltd. Maltby. R. ( 1995 ) . Hollywood Cinema. Malden. Ma: Blackwell Publishing Ltd. Rebel Without a Cause: Memorable Quotation marks. ( 1955 ) . Retrieved fromhttp: //www. imdb. com/title/tt0048545/quotes

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From Classical Hollywood to New Hollywood. (2017, Jul 21). Retrieved from