We all have the desire to command our fate but the grade to which we are able to attest that desire concretely is. ironically. non under our control. Thomas Lux’s verse form. Wife hits moose describes the narrative of a inquiring moose clashing with a married woman driving through a forest route during twilight. The author’s 3rd individual callback of the incident creates a degage. dry tone and lineations to the audience that the writer has little at interest or control over the state of affairs. Lux efficaciously uses the last stanza in his verse form to motivate the reader to see the opportunity of such an brush and as to whether it was contributed to by a supreme intelligence or merely random opportunity.
The verse form is written in four stanzas with a registry of seven lines a stanza. Each stanza describes a different phase of the hit. From an introductory. placid scene of both moose and married woman. so a elaborate description of the hit and the wake. stoping with the talker chew overing on the opportunity of such an event and if a supreme intelligence was involved.
The speaker’s usage of “sometime” in the gap stanza allows him to detach himself from the hit and besides high spots that he has no interest over the result of the clang. The talker sketches a placid atmospheric scene through footings such as “moose” . “highway” and “forest” . The footings besides highlight that the event could of happened in any location that has a “moose” . “Highway” or “forest” ; this is intentionally done to do the audience think about the opportunities of such an event occurrence. which brings frontward the subject of supreme intelligence or a accountant of destiny. Lux characterizes the elk as an retiring animate being. nevertheless he personifies it as thought for itself in the quotation mark “decides the twenty-four hours. for him is done. ” This develops the thought of supreme intelligence ; if the elk decides the twenty-four hours is over. so it must hold a minor idea procedure. which means that. it could believe in a supreme intelligence.
In line five the talker switches focal point to the married woman driving the auto and in making so creates suspense as the audience is reminded of the clang between married woman and elk. Throughout each stanza the poet shifts the focal point his focal point from married woman to moose and in making so creates a crosscutting movie like ambiance which merely heights the expectancy the audience feels and besides foreshadows that the two are on an ineluctable hit class into each other’s being. The ‘blacktop’ and ‘pineforest’ are symbolic of both the married woman driving the auto and the elk. furthermore. both “blacktop” and “pineforest” are made up of two single words but together ; this could typify that both the married woman and moose have two separate individualities. a religious and personal individuality. The extract “pineforest and blacktop/blend” foreshadows the potentially ruinous brush between the two and leaves the audience expecting the hit. The subject of nature V adult male is besides present in this infusion. blacktop is manmade and pineforest is natural. and when the two combine calamity will follow.
The registry of the linguistic communication in lines 15-19 callbacks that of a constabulary study. detached and straightforward. The usage of the eclipsis in “wife/ hits moose. hard// at little angle” causes both the talker and reader to keep their breath as in expectancy. making a cliff-hanging ambiance. further prosecuting the reader in the text. The stoping two lines of the 3rd stanza are unexpected ; it doesn’t follow the enjambement before it. in consequence this slows down the reader and brings to illume the factor that both parties are safe and “unhurt” . This is slightly dry sing the nature of the clang and the fact that the “diamond tipped” antlers of the elk simply scratch the surface of the windscreen and didn’t penetrate though the windscreen to kill or wound the married woman indoors. A supreme intelligence must hence be involved in the affairs refering the clang.
The concluding stanza is much like that of a inquiry and reply. the talker aims a inquiry at each one of the characters ( moose. married woman and talker ) and replies them by himself. yet when it comes to the inquiry “Does speaker believe in a Supreme Intelligence? ” he answers with a consecutive forward “Yes” and “thank you” which outlines to the reader that the poet is a adult male of religion. The manner the poet Capitalizes the footings “Supreme Intelligence” farther highlights the he is a adult male of religion and that he has regard for the Supreme Intelligence.
Supreme Intelligence is a cardinal subject in Thomas Lux’s poem Wife hits moose. He efficaciously compares random opportunity to the supreme intelligence though the usage of poetic techniques and forces the audience to chew over on the idea of there being a supreme intelligence.