Isolationism in Metamorphosis

Table of Content

Isolationism in Metamorphosis and Notes from Underground

World Literature: Paper 2

The common subject in both Metamorphosis by Franz Kafka and Notes from Underground by Fyodor Dostoyevsky is isolationism. Both of these literary plants contain different illustrations of isolationism in order to convey the same construct. Privacy exists in both novels, ensuing in the direct defect of each of the chief characters. The difference that Kafka and Dostoyevsky nowadays in their usage of isolationism in Metamorphosis and Notes from Underground is how each character is secluded. Kafka writes about the progressive purdah of one character being forced into isolation by others. On the other manus, Dostoyevsky ‘s full novel is about the Underground Man, who lives all by his lonesome and is forced to look back on his vernal experiences. These frequent happenings have lead to the Underground Man ‘s purdah. However, in both novels, the terminal consequences of the chief characters in Metamorphosis and Notes from Underground are similar because both persons ‘ actions lead to their ain death.

At the beginning of novel, Metamorphosis, Kafka introduces the chief character, Gregor Samsa. After waking up to happen “ himself transformed in his bed into a mammoth insect ” , Gregor can merely believe of the reverberations he will endure for being late to his occupation. Gregor works as a going gross revenues clerk ( Kafka 1 ) . He would hold discontinue a long clip ago, but Gregor knows that his household depends on him for the money he makes and, finally, their ain being. Without his wage, the Samsa household will non last. After doing ineffectual efforts “ to set on his apparels and above all eat breakfast ” ( Kafka 7 ) , Gregor ‘s foreman comes to look into on his employee. Reluctantly, Gregor reveals his true individuality as an insect. Gregor ‘s male parent forces him to travel to his room, more specifically, isolationism, which “ had simply the fixed thought of driving Gregor back into his room every bit rapidly as possible ” ( Kafka 31 ) . Due to the size and proportion of Gregor ‘s new physical visual aspect, the patterned advance into purdah inflicted a monolithic sum of hurting on Gregor.

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On the other manus, the first portion of Notes from Underground, the Underground Man, besides the storyteller, describes the scene of the novel and specify his ain being. “ The Underground, ” the first words the Underground Man describes about himself are, “ I am a ill adult male. . . I am an angry adult male. I am an unattractive adult male ” ( Dostoyevsky 15 ) . These words tell the reader the ways in which society, from the Underground Man ‘s young person, has destroyed him as an person. Besides, it makes the reader aware of his low self-pride. The Underground Man, someway, utilizes his ain sorrow to do himself experience better. He believes that his ain self-loathing and unkindness have crippled and corrupted his attitude every bit good as the people around him. Yet, it is evident that the Underground Man takes will non take the enterprise to alter. Due to the impact of societal sufferings, the Underground Man takes comfort in his ain strivings, like odontalgias or liver complaints. The ability for him to command the hurting from his unwellness is a manner for the Underground Man to conceal from the existent hurting from society. He is non proud of the adult male he has become over the old ages and scorns himself for his many incorrect behaviors. One thing that is of import for the Underground Man to kill is his negative attack to life, in order to boom. However, the journey that he takes to seek optimism disappears because the Underground Man becomes excessively unenrgetic and lazy.

As isolation attacks in Metamorphosis, Gregor becomes more and more like an insect. His alteration from human to tease besides becomes apparent in his pick of nutrient. The repasts he one time liked are now unsavory and unsympathetic to him, “ although milk had been his favourite drink and that was surely why his sister had set it there for him, so it was about with repulsive force that he turned off from the basin and crawled back to the center of the room ” ( Kafka 32 ) . Because Gregor knows he will no longer be accepted by his household as an insect, he gives up and secludes himself in his room. Throughout the book, there is a portion of Gregor that continues to contend for his ain freedom because he still wants to seek equality. He has the desire to interrupt away from his lone province, but no manner of caring out his flight. The one thing that continues to fuel Gregor is the music from Grete ‘s, his sister ‘s, fiddle. Grete does non desire her household to pretermit Gregor because he has turned into an insect. She believes that no affair the form of his physical characteristics, Gregor will ever be her brother. It seems as though Grete does non desire to admit or be convinced that her brother is a bug and will ne’er be the same individual. However, it is inevitable that Grete will shortly abandon her brother. Their separation continues to go increasingly more evident. Gregor continuously is left entirely in his room, all by his lonesome. By the terminal of the novel, Gregor becomes unseeable to his ain household. One ground Gregor dies is because of the realisation that he is nil more than an insect without a household or a intent. Once once more, he is left in his stray room to decease, entirely.

In the 2nd portion of Notes from Underground, “ Apropos of the Wet Snow ” , the Underground Man comes across legion cocottes, many soldiers, and a few yesteryear classmates. However, the Underground Man deliberately alienates himself from these people by non admiting their being. He makes himself look to be incapable of interacting with these uneducated low lives. It is as if he does non desire to do an attempt to pass on because he fears his ain humiliation. So, alternatively, he treats them with disgust and fright for his ain life. Liza is the prostitute and the vehicle for Dostoyevsky ‘s message of the power of selfless love. She comes to the Underground Man ‘s flat one dark to talk to the Underground Man. Alternatively of handling Liza with the love she deserves, he continues to diss her, repeatedly. These societal familiarities cause the Underground Man much compunction and sorrow. And, one time Liza leaves his flat, the Underground Man is left, once more, in purdah.

Examples of privacy are used invariably by both Franz Kafka and Fyodor Dostoyevsky to convey the thought of isolationism. In these two novels, the lone province of both characters leads to their ruin. In both of these illustrations, isolation leads to the death of the chief characters, Gregor Samsa and the Underground Man, even though the motivations and footing ‘s were different. Gregor crawls his ain life off because of the hurting of being secluded by his ain household members. On the contrary, the Underground Man ne’er genuinely lives his life because of the distain he has for himself and society. The Underground Man hides his personality and beliefs because he fears society ‘s judgement and ridicule. The isolation that both characters endure leads to their ain devastation.

Plants Cited

Dostoyevsky, Fyodor. Notes from Underground and The Double. New York: Penguin

Books, 1972.

Kafka, Franz. The Metamorphosis and Other Stories. New York: Barnes and Baronial

Classicss, 2003.

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Isolationism in Metamorphosis. (2017, Jul 09). Retrieved from

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