The manager uses several cinematic techniques and embeds a whole scope of other techniques to make a dark atmosphere. The gap foreshadows the sinister temper and atmosphere throughout the entireness of the film.
A broad panning shooting across a organic structure of H2O is accompanied by sinister music ; created to heighten the ocular experience. This manner of music is used in many scenes to stress and to prolong the eerie atmosphere. Excellent pick of camera angles achieved added symbolism by demoing the full sight of the landscape. a harbourside dock through a sustained extreme long shooting. The composer intentionally uses a whole scope of camera angles to lend to the overall sense of enigma. sustained through the movie.
High angle camera shootings are used in the gap sequence to convey the powerless and finally more inferior individual or ‘victim’ . These invariably altering camera angles create an component of confusion amongst the audience. lending to the success of this alone offense genre movie. The audience is left about clueless at the peculiar camera motions. stressing the silhouette of an unknown and cryptic figure ; referred to as Keyser Soze.
The narrative is told as a series of flashbacks. intertwined with real-time constabularies questions with the nucleus character. Verbal. The secret plan is smartly crafted to travel around in a cringle. with the stoping finally being at the start. doing the audience easy piece together hints and imagination. spot by spot to understand the comparatively complex construction of the movie. The manager used voiceovers to avoid boring elements of movies. discernible in many modern twenty-four hours movies. Character and secret plan developments were achieved rapidly. and no forfeit of gait was conceded. There are changeless entwining scenes from the yesteryear and the present. merely allowing the audience larning bit-by-bit. like the detective’s province of head.
Much like the directorial manner of Memento. the manager invariably uses flashbacks and voice-overs to expose important secret plan developments and to keep word picture. Recuring medium and close-up shootings of Verbal give hints to expose the individuality of this cryptic figure. The same redundant music utilized throughout the predating gap sequence is continuously played through minutes of such symbolic imagination. The scene of Verbal illuming a coffin nail is exemplified by the repeating imagination through these flashbacks. and the cases of duologue between the research worker and Verbal.
When one of the ‘usual suspects’ dies. the others decide to bury his organic structure in a cave. and there is an first-class long-shot which easy fades to black and so ends up to be the java in Kujan ( investigator’s ) mug. Symbolically this can be interpreted to be a gesture to connote that Kujan has Verbal about in a prison. pin downing him from the outside universe. seeking for the ultimate truth. The stoping of the movie is the add-on of all the single remarks exchanged in this cat and mouse game between Verbal and Kujan.
The appreciation that Kujan one time had on Verbal is now lost. as symbolized by the dropping of the java mug. with blinking imagination of Verbal’s expressions and his clever conversations with the investigator. There is a close up of the smashing of the mug. and this is symbolic of how Verbal is now finally free and out of the appreciation of Kujan. The camera angles rapidly pan around the hoarding. shutting in on peculiar notices and exposures. the footing of Verbal’s whole ‘honest testimony’ .
The scene of Verbal walking outside of the constabulary station and illuming a coffin nail is once more this repeating imagination. a medium and close-up shooting of this same stance which is emphasized innumerably throughout the movie’s entireness. Again redundant music is used to increase the sarcasm of the detective’s quotes “I’m smarter than you. You’re a crippled and dense individual. That’s why he chose you…” A concluding stopping point up shooting of Verbal smiling “…and he vanished merely like that” . as if he was really the ‘devil’ he was depicting. The audience comes to recognize from the last few reasoning scenes that the cryptic. silhouetted figure is really the storyteller and besides the crippled adult male. Verbal. The redundant. sinister music articulately concludes the film. and leads to the credits.
