Persepolis

The Social identity of Marjane in the novel Persepolis is primarily a construct of outside influences. She is growing up in a chaotic environment that most people would run away from. However, her father and uncle seek out danger and answers and this seeps into her characteristics. She notices many differences between her and others…

It makes them easy manipulative and in some ways affects their further development. We can observe these processes in Prolepsis, on Manner’s example. We see an Iranian girl taking interest in western culture, doing different sorts of activities corresponding: partying, listening to pop and rock music, wearing Nikkei shoes and denim jacket, trying a cigarette,…

It is hard to understand and decisively seek after any law convincing people to change their technique for living. In the book Persepolis by Marjane Satrapi, there were various changes in the strategy for living in the midst of the Distress. Persepolis was created subject to Satrapi’s memories through her eyes as a child. Satrapi…

In the present society everything is dependent on religion. Both The Handmaid’s Story, which was composed somewhere in the range of 1980 and 1986, and Persepolis, which was additionally composed somewhere in the range of 2000 and 2002, enables the peruser to find out about a general public dependent on religion. The two written works…

In the early 1950s when Britain discovered Iran’s amazing oil, the shah, a western controlled puppet was put into power to control and nationalize this resource. During the late 1970s the citizens of Iran started to revolt. Marjane Satrapi, a young girl growing up in the daunting oppression of the Shah’s rule and then the…

Due to Marjane’s Satrapi’s unusual style of literature in the graphic novel Persepolis, I now have a more profound understanding about the Iranian culture, and now look at Iran with a different outlook. By portraying her childhood story in a black and white comic book style Satrapi, makes her novel easier to relate to. The…

The beginning of Chapter 5 in Understanding Comics, Scott McCloud asks a question regarding comics and the images. He asks the readers, “Can emotions be made visible?” (McCloud, 118). That question is answered in Persepolis, the graphic autobiography about a young woman growing up in the revolutionary Iran. The text uses visuals to evoke certain…

The whole society recognized today depends upon religion. Both scholarly works The Handmaid’s Story, shaped by Margaret Atwood, and Persepolis, made by Marjane Satrapi, present the peruser with a general populace subject to religious fundamentalism. The two works picture outrageous timetables. They challenge the peruser to consider what could occur and the final product for…

This is my review of Marjane Satrapi’s Persepolis: The Complete Series. This is my first time reading a graphic novel about a true-life autobiographical theme. My usual graphic novel readings are of super heroes and the like, so this was a first for me. I began reading, fully expecting that I would learn a great…

Another interpretation of the word ‘within’ suggests we look at how one character silences another character in a text. For example: ‘How are secularists silenced by the Islamic Revolutionists in Persepolis? ‘ The autobiographical graphic novel, Persepolis written by Marjane Satrapi opens up with the chapter The Veil, in 1980 in Iran, when the revolution…