While the visual aspects of Avatar were enjoyed by many viewers, I observed a dearth of discourse surrounding the plot and characters. As a writer, I firmly believe that these components are pivotal in ascertaining a film’s success.
I viewed a critically acclaimed film that evoked a profound sense of injustice concerning its depiction of race. The movie showcased a Caucasian man infiltrating an ethnic community (in this instance, aliens) solely to exploit them for his own benefit. This storyline has been employed numerous times in the past and consistently yields the same result. While I do not believe the film endorses racism, it is evident that specific racial beliefs heavily impact its substance.
Despite potential dissent, the analysis of Avatar uncovers evident racial undertones. It is crucial to acknowledge these connections, regardless of their intentionality, alongside the impressive visual effects.
In the chosen scene for analysis, Jake, who is a human that allies with the Na’vi to fight against his own people, returns to Pandora after being branded a traitor and losing the trust of the Na’vi. In order to regain their trust, he promptly succeeds in taming a feared red dragon called Toruk, a feat never accomplished by any Na’vi member before. The exceptional abilities and heroism displayed by Jake convey the impression that he is the sole source of the solutions which the Na’vi require to preserve Pandora. The scene transitions to the clan praying to Hometree, despite being aware that the tree has never shown favoritism.
Amidst the scene, Jake descends swiftly on the red dragon with the sun shining brilliantly from behind, guiding his way. Afterwards, there is a degrading depiction of Jake dismounting the dragon before the Na’vi, while they observe.
