The Wizard of Oz Film Analysis

Table of Content

The Wizard of Oz uses movie signifier by utilizing similarity and repeat. With Dorothy being the chief character. she is ever re-emerging in the movie. Equally good as all of the characters. The Tin Man. The Lion. and The Scarecrow. hold similarities to Dorothy. Each of them need something. Dorothy needs to travel back place. The Tin Man needs a encephalon. The Scarecrow needs a bosom. and The Lion needs bravery. The movie besides progresses from the beginning to the terminal. every bit good as the characters. Dorothy starts at one topographic point. follows the xanthous brick route and finally makes it to her finish to see The Wizard of Oz. gets what she wants and ends up back place. The characters grow as they go. You can truly measure this movie because it is really interesting and catchy. The manager carries the narrative really good in his Narrative signifier.

Film Style

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( Mise-en-Scene )

The viewing audiences can pick up a batch from the movie The Wizard of Oz. The scene is ever reasonably much the same. there is a batch of different colourss. different forms. and forms. The film maker is ever catching our attending with the assortment of things that show up throughout the movie. Something else that the viewing audiences notice a batch is the characters. particularly Dorothy. Each of their costumes represents the character. go forthing the viewing audiences to retrieve them by what they are have oning. The chief thing that is remembered about Dorothy is her ruby ruddy heels that end up acquiring her dorsum place. Dorothy receives the ruby ruddy heels at the beginning of her escapade and she wears them all throughout the movie down the xanthous brick route. and at the terminal of the movie the ruby ruddy heels have a large significance. Dorothy ends up acquiring Lashkar-e-Taiba in to see the Wiz of Oz merely because of the ruby ruddy heels. Finally. Dorothy clicks her ruby ruddy heels together and they as if by magic get her back place. ( Cinematography )

The Cinematography that the Wizard of Oz used is a benchmark for Technicolor’s three-strip procedure. The single colourss stand out everyplace. and there is ne’er a hint of saturation noise. The image is brighter and sharper in the movie. The contrast of the movie truly affects the temper. Since the contrast is so bright the spectator is bound to remain focussed and cognizant because everything is so tricky and noticeable. Besides. the exposure changes throughout the movie. At the really get downing the movie starts in black and white and changed to colourise as the narrative progressed. The film maker uses a batch of Long Takes. each shooting of Dorothy run intoing person new is pretty drawn-out. ( Editing )

The Wizard of Oz is an early movie but redaction is used rather a spot. First away. the absence of colour in the beginning and the stoping of the movie. This sets an overall feeling of Dorothy being place. Next the movie turns to colourise one time Dorothy dreams of being in a different universe. the colour. yet once more. put an overall temper for Dorothy in this new universe “Over the rainbow. ” The first stairss of Dorothy being in the universe of The Wizard of Oz gives off an illustration of interior and outside redaction. The shooting begins with a close up of Dorothy’s face and the camera easy moves out to demo everything else around Dorothy. which was the start of the xanthous brick route and Munchkin land.

After the spectator see all of that. the camera moves back in to Dorothys face when she says that they are non in Kansas any longer. One redacting passage used a batch in The Wizard of Oz is the fade-in and dissolve. Another is cross-cut. two events happening at the same clip but in two different locations. This is used in the scene at the poppy field. after Dorothy and her friends run into the Lion. The shooting zooms out to the Witches crystal ball. and fades off. Then the Witch looks into her crystal ball and can see the poppy field. whizzing back in to see Dorothy and her friends on their escapade to see The Wizard of Oz. ( Sound )

The perceptual belongingss of movie sound used in The Wizard of Oz are the volume ( volume ) and pitch. The scenes where the group sing “We’re off We’re off to see the Wizard. The fantastic Wizard of Oz. You’ll find that the adult male is a ace of a Wiz. If of all time a Wiz there was. If of all time. if of all time a Wizmthere was. The Wizard of Oz is one because. Because. because. because. because. because. Of the fantastic things he does. We’re off to see the Wizard. The fantastic Wizard of Oz. ” the volume every bit good as the pitch ever travel up. The beat flows truly good. An illustration from the Wizard of Oz that shows non-diegetic sound is when Dorothy is speaking to the Wicked Witch and the Good Witch. The characters conversation is mirrored with the music playing in the background. The non-diegetic sound supports the narrative. Equally good as assisting the viewer’s acquire an emotional fond regard to the shootings. ( Narrative )

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The Wizard of Oz Film Analysis. (2016, Nov 18). Retrieved from

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